The Times They Are A-Changin' (from The Daily Ukulele) (arr. Liz and Jim Beloff) Sheet Music Preview

The Times They Are A-Changin' (from The Daily Ukulele) (arr. Liz and Jim Beloff): Ukulele

As performed by Bob Dylan / As performed by Peter, Paul & Mary / As performed by Jim Beloff / As performed by Liz Beloff

Item: 35-DS00378324

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The Times They Are A-Changin' (from The Daily Ukulele) (arr. Liz and Jim Beloff): Ukulele isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS00378324

More about this title

About the Artist: Bob Dylan

Bob Dylan fundamentally changed what popular song could be. His 1964 composition "The Times They Are A-Changin'" became an anthem for social movements worldwide, proving that folk music could carry urgent political and social messages without sacrificing poetic depth. Dylan's influence on music education extends far beyond folk purists; his work appears in classrooms because it connects students to real historical moments while teaching them how melody, repetition, and directness serve powerful lyrical content.

Why we love this

The Beloffs have stripped this iconic protest song down to its essence, making it genuinely accessible for ukulele players without sacrificing the weight of the original. One page means students can absorb the entire arrangement quickly, freeing mental bandwidth to focus on lyrical clarity and the song's urgent, forward-moving character. It's the kind of repertoire that reminds players why they picked up an instrument in the first place.

What to expect

Urgent and purposeful. The song builds through repetition and accumulation rather than dynamic climax, creating a sense of inevitable change rather than explosive energy. There's both intimacy and conviction in the ukulele's voice here.

Who it's for

Ukulele students who want to play songs with substance and historical resonance. This works for anyone building a repertoire beyond traditional Hawaiian music or novelty pieces. It's equally at home in a casual coffeehouse setting or a structured performance class.

How to get the most out of it

  • Keep the rhythm steady and propulsive; this song moves forward. A light, driving strum pattern (rather than a fingerpicking approach) maintains the momentum Dylan intended.
  • Shape the melody with intention. The lyrics arrive as declarations, not complaints. Let each phrase breathe slightly before the next one lands.
  • Balance the dramatic message with vocal clarity. Audiences need to hear every word to feel the song's call to action.

How to use it

Feature this in a concert exploring protest music or social justice themes across decades. It pairs naturally with contemporary folk arrangements or singer-songwriter repertoire. The single-page format makes it ideal for spontaneous ensemble collaborations or as a solo feature during a longer program.

Skills your students will build

  • Maintaining rhythmic integrity in longer melodic phrases
  • Conveying lyrical meaning through articulation and phrasing
  • Understanding how folk arrangements preserve the core of an original composition
  • Building confidence with historically significant repertoire

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