The Time Warp (from The Rocky Horror Picture Show): 1st Trombone: Choral SoundPax

Andy Beck's arrangement captures the infectious energy of this iconic song while keeping it singable for high school and community choirs. The inclusion of choreography cues in the lyrics and the availability of recorded accompaniment make this a genuine theatrical experience, not just a vocal arrangement. Programming this piece signals to your audience that your choir can deliver attitude, fun, and confidence alongside solid musicianship.

Infectious, tongue-in-cheek, and relentlessly propulsive. The arrangement honors the song's rock foundations while maintaining choral clarity, creating a piece that feels both familiar (the melody and lyrics are iconic) and fresh when sung by your choir. There's built-in fun here: the subject matter invites playfulness, and the musical energy carries ensembles through the performance.

High school and community choirs looking for contemporary repertoire with genuine theatrical appeal. This works for ensembles with some rhythmic sophistication and comfort with rock idioms, and for directors who want to program something their singers will actually want to rehearse and perform.

• Lock in the rhythmic pocket with your percussion and bass parts; this song lives in the groove, and precision rhythmic ensemble will make the difference between competent and electrifying.
• Lean into the character of the text when shaping your phrasing. The lyrics themselves guide your dynamic choices and help singers find the attitude the music demands.
• Study the Glee version and the original stage recording alongside the sheet music. Hearing how professional ensembles balance the rock edge with choral blend will inform your interpretive choices.
• Use the recorded accompaniment in rehearsal to build confidence quickly, but require singers to sing without it periodically so they internalize the harmonic movement.

Pair this with other contemporary or theatrical selections to create a modern pop segment within a larger concert. It also works as a showstopper finale or as part of a spring concert with movement and staging that lets students lean into the theatrical side of choir. The choreography-ready lyrics make this especially effective for audiences familiar with the source material.

• Rock rhythmic vocabulary and syncopation
• Maintaining ensemble blend while singing with character and attitude
• Interpreting choreography cues from lyrical content
• Confidence with contemporary harmonic language and modal interchange
• Coordination of vocals with rhythmic accompaniment tracks