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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Time Warp (from The Rocky Horror Picture Show): SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Richard O'Brien
Richard O'Brien created The Rocky Horror Picture Show as both writer and performer, crafting one of theatre's most enduring cult phenomena. His work as a composer, lyricist, and actor defined a generation's approach to interactive musical theatre, blending rock sensibility with theatrical storytelling in ways that continue to influence pop culture.
Why we love this
Andy Beck's arrangement captures the anarchic energy of the original while making it singable for high school choirs. The movement suggestions built into the score turn rehearsal into genuine fun, and your students will actually want to learn this because they already know it.
What to expect
Defiant and gleeful. The arrangement vibrates with the comedic irreverence of the original while keeping the melodic hooks that make the song impossible to forget. Your audience will recognize it instantly and your singers will feel the permission to be bold.
Who it's for
Any high school or community choir looking to program something that connects with students immediately. The 16-page score and available instrumental parts make it flexible enough for smaller ensembles or full group performances.
How to get the most out of it
- Lock the rhythm section early. The groove sits in the pocket between straight time and swing; getting your bass and percussion to agree on the pocket makes everything else fall into place.
- Lean into the theatrical attitude. This isn't a concert piece that happens to be from a musical. Permission to ham it up will unlock the entire arrangement.
- Trust the recorded accompaniment to anchor your intonation during early rehearsals, but start pulling it back in the final weeks so your choir owns the groove.
- Layer the choreography gradually. Teach the music first, then add one movement section at a time rather than trying to coordinate both simultaneously.
How to use it
Pair this with other pop or movie-sourced repertoire for a concert that draws families and casual listeners. It also works as a strong closer or as part of a medley in a longer show; the energy doesn't require a heavy dramatic setup.
Skills your students will build
- Maintaining groove and pocket in ensemble singing
- Rock/pop vocal style and inflection
- Integration of choreography with ensemble singing
- Rhythmic independence (especially in syncopated sections)
- Performing with theatrical confidence and character commitment