The Tide Is High (from The Daily Ukulele) (arr. Jim Beloff) Sheet Music Preview

The Tide Is High (from The Daily Ukulele) (arr. Jim Beloff): Ukulele

As performed by Blondie / Arranged by Jim Beloff

Item: 35-DS01533814

Digital Download
$3.99
Description

The Tide Is High (from The Daily Ukulele) (arr. Jim Beloff): Ukulele isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS01533814

More about this title

About the Artist: Blondie

Blondie emerged from New York's late-1970s punk and new wave scene as one of the decade's most innovative and commercially successful bands. Fronted by Debbie Harry's distinctive vocals, the group masterfully blended punk energy with pop sensibility, creating chart-topping hits that dominated radio while maintaining artistic credibility. Their ability to evolve across disco, reggae, and electronic influences while remaining unmistakably themselves made them cultural icons and enduring influences on pop music.

For music educators, Blondie's catalog offers accessible entry points into the new wave era. Their hooks are instantly memorable, their arrangements are clearly structured, and their songs contain genuine musicianship beneath the pop sheen. Teaching these arrangements exposes students to grooves, production aesthetics, and songwriting techniques that shaped contemporary music.

Why we love this

This Jim Beloff arrangement captures everything that makes 'The Tide Is High' such a satisfying song to perform: the irresistible reggae groove, the memorable melody, and that perfect blend of cool detachment and genuine emotion. One page means students can learn it quickly and confidently, building momentum in rehearsal without weeks of preparation.

What to expect

Laid-back yet propulsive, with that distinctively Caribbean lilt that made the original such a radio staple. The melody has an almost casual ease to it, but the harmonic underpinning keeps things sophisticated and interesting.

Who it's for

Ukulele students who want to explore pop and rock repertoire beyond traditional folk arrangements. This works equally well for beginners seeking a song with immediate appeal and intermediate players looking to refine groove-based playing.

How to get the most out of it

  • Shape the rhythm section to sit behind the beat slightly rather than on top of it; this reggae inflection is essential to the groove.
  • Let the melody breathe and sit naturally in your voice rather than pushing for volume; Debbie Harry's restraint is part of the song's appeal.
  • If playing with accompaniment, listen carefully to where the percussion sits and adjust your phrasing to lock into that pocket.
  • Experiment with dynamics across the form to reveal the song's architecture; the verses can sit a touch lower than the chorus to emphasize contrast.

How to use it

Drop this into a pop or rock-focused concert to show range beyond acoustic traditions, or pair it with other new wave selections to highlight how punk and reggae collided in late-1970s songwriting. Students appreciate seeing how a single arrangement can hold both historical interest and current relevance.

Skills your students will build

  • Reggae rhythmic feel and offbeat emphasis
  • Melodic phrasing with restraint and control
  • Syncopated strumming patterns
  • Listening and locking into groove-based accompaniment

You May Also Like