The Three Cardinals Cover Image

The Three Cardinals: Concert Band Conductor Score

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The Three Cardinals Cover Image

The Three Cardinals: Concert Band Conductor Score

By Albert O. Davis

Item: 36-10165049

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Description
The composer has designed this Trio along modern lines and dance rhythms, including the Blues, Bounce, and Hot Swing. This American type Dance rhythms has a rightful place on concert programs, and has great audience appeal. Trumpet trio with band. Also available with piano accompaniment as 10512149.

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Additional Details
Series: LudwigMasters Concert Band
Publisher: LUDWIGMASTERS
ISBN13: 978-163-361-1511
UPC: 605258822666
SKU: 36-10165049
Instrumentation: Trumpet Trio and Concert Band

More about this title

Why we love this

Davis understood that American vernacular music belongs on the concert stage, and he wrote this piece to prove it. The orchestration for trumpet trio and band is imaginative without being precious, letting the soloists shine while the ensemble propels the rhythmic energy forward. Audiences respond immediately to music that swings, and this one delivers.

What to expect

The piece captures the infectious spirit of early American jazz idioms, moving confidently between the contemplative mood of Blues, the rhythmic drive of Bounce, and the exuberant swing of Hot Swing. The trumpet trio dialogues with the full band like soloists trading with a rhythm section, creating a sense of spontaneity even within the written score.

Who it's for

Conductors programming concert band concerts who want to include accessible, energetic American music without sacrificing musical substance. This work appeals to audiences of all ages and skill levels, making it ideal for festival repertoire or community band programs.

How to get the most out of it

  • Shape the Blues section with subtle rubato in the trumpet parts; the band's rhythm section should stay locked while the soloists breathe naturally into and out of the phrases.
  • Balance the trumpet trio so the lead voice projects clearly over the band without drowning out the inner voices, particularly in the Bounce section where voicing matters.
  • Emphasize the Hot Swing rhythms by having the band's rhythm section sit just slightly behind the beat; this creates the propulsive feel Davis intended without asking anyone to rush.

How to use it

Use this as a centerpiece of a concert celebrating American musical traditions, pairing it with other vernacular works to create a thematic program. It also works beautifully as a lighter closing number before a final serious work, or as a standalone feature that builds audience engagement.

Skills your students will build

  • Playing syncopated rhythms and swing feel
  • Balancing solo voices within a full ensemble texture
  • Interpreting Blues and jazz idioms with stylistic authenticity
  • Responding to a conductor's shaping of rhythmic and harmonic gesture

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