The Temptations (Songs from Ain't Too Proud) (arr. Mark Brymer) Sheet Music Preview

The Temptations (Songs from Ain't Too Proud) (arr. Mark Brymer): SATB Choral Octavo

As performed by The Temptations / Arranged by Mark Brymer

Item: 35-DS00452947

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Publisher: Hal Leonard
Page Count: 26
SKU: 35-DS00452947

More about this title

About the Artist: The Temptations

The Temptations emerged from Detroit in the early 1960s as one of the most influential vocal groups in American music history. Their precision, choreography, and vocal sophistication set the standard for R&B and pop ensembles, earning them the nickname "The Motown Sound" ambassadors through their work with Berry Gordy's legendary label.

Beyond their chart dominance, The Temptations demonstrated what careful vocal arrangement and ensemble discipline could achieve. Their recordings showcase tight harmonies, strategic use of lead vocals, and rhythmic precision that made them essential listening for anyone serious about group singing. The Temptations' legacy extends directly into choral education, where their approach to blend, balance, and stylistic interpretation continues to influence how directors approach secular repertoire.

Why we love this

Mark Brymer's arrangements capture the sophistication and energy of The Temptations' original recordings while tailoring them for choir ensembles. This collection bridges the gap between students who grew up with classic soul and those discovering it for the first time, making it an immediate draw for concert programming. The rhythmic authenticity and vocal writing demand real musicianship while remaining accessible for intermediate to advanced groups.

What to expect

Smooth, propulsive, and full of character. These arrangements channel the unmistakable Motown flavor with tight harmonies, strategic soli moments, and a groove that sits comfortably in the body. Singers feel the swagger and precision that made The Temptations legendary.

Who it's for

Intermediate to advanced SATB choirs seeking material that connects to contemporary audiences while maintaining vocal sophistication. This works equally well for concert choir directors looking to diversify their spring program and for show choir or Broadway-style groups building a Motown-influenced set.

How to get the most out of it

  • Invest time in the rhythm section accuracy. These arrangements live in the pocket, and any looseness in the bass line or subdivision will expose the harmonic movement.
  • Listen to the original recordings repeatedly as an ensemble. Knowing the source material helps singers understand the soul and swagger behind Brymer's voicing choices.
  • Pay attention to the syllabic clarity on repeated figures and riffs. The Motown style depends on crisp articulation to land the groove.
  • Emphasize stylistic contrast between verse and chorus sections. Brymer writes these shifts deliberately, and leaning into them will lift the energy considerably.

How to use it

Consider programming this as a complete concert block or mixing individual songs throughout your season. The Broadway connection from "Ain't Too Proud" makes this particularly strong for spring concerts or collaborative programming with your theater department. Alternatively, these arrangements shine when featured alongside other classic soul standards, creating a themed evening that speaks to multiple generations of your audience.

Skills your students will build

  • Singing in soul and Motown stylistic idioms (rhythmic phrasing, melismatic ornamentation)
  • Maintaining rhythmic precision in syncopated ensemble figures
  • Balancing lead vocals with supporting harmonic backgrounds
  • Executing tight four-part harmony in contemporary popular contexts
  • Interpreting dynamic and expressive cues that drive groove-based music

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