The Tattooed Bride Cover Image

The Tattooed Bride: Jazz Ensemble Conductor Score

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The Tattooed Bride Cover Image

The Tattooed Bride: Jazz Ensemble Conductor Score

By Duke Ellington

Grade: 5 (Advanced / Difficult)

Item: 00-44308S

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Description
"Tattooed Bride" is Ellington's masterpiece from 1948---a through-composed, 11-minute jazz symphony. Prominently featuring the clarinet, each of the four sections contrast in mood, tempo, and dynamics. Additional solos are included for piano and trombone.

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Additional Details
Series: Essentially Ellington: Jazz at Lincoln Center Library
Publisher: Jazz at Lincoln Center
Page Count: 60
UPC: 038081499871
SKU: 00-44308S

More about this title

About the Composer: Duke Ellington

Duke Ellington (1899-1974) stands as one of the most prolific and inventive composers in American music history. A bandleader, pianist, and orchestrator of unparalleled sophistication, Ellington created a vast catalog of works that moved fluidly between dance hall, concert hall, and film, refusing easy categorization and expanding what jazz composition could be.

Ellington's genius lay in his ear for orchestration and his ability to write for specific musicians in his band. He composed directly on the instruments themselves, understanding the voice of each player and crafting parts that showcased their strengths while serving the larger harmonic and melodic vision. This approach to composition remains a masterclass in ensemble writing.

Why we love this

This is Ellington at his most ambitious: a through-composed work that demands serious musicianship from every section while remaining rooted in authentic jazz vocabulary and feeling. The clarinet-centered writing gives you a rare opportunity to spotlight strong reed players, and the contrasting sectional structures keep the ensemble engaged across its 11-minute span. Advanced groups thrive on material this sophisticated.

What to expect

"The Tattooed Bride" unfolds like a cinematic journey, shifting between moments of brassy swagger, intimate balladic introspection, and driving rhythmic momentum. The clarinet weaves through the ensemble with lyrical authority, while the rhythm section anchors the ensemble in the blues tradition. Ellington's harmonic language is both accessible and sophisticated, offering listeners beauty alongside intellectual rigor.

Who it's for

Advanced jazz ensemble directors and serious high school or college ensembles with strong clarinet, piano, and trombone soloists. This score demands confident readers across all sections and players who can balance written precision with jazz phrasing and style. The 60-page format suggests substantial rehearsal material appropriate for groups preparing concert performances or festival submissions.

How to get the most out of it

  • Study the dynamic architecture of each section carefully. Ellington's contrasts in mood and tempo create natural breathing points; resist the urge to smooth them out. The shifts in character should feel intentional and distinct.
  • Balance the featured solos (clarinet, piano, trombone) so they project clearly without overwhelming the ensemble. These voices carry the narrative of the piece and deserve prominence in your rehearsal focus.
  • Attend to the through-composed form as you would a classical symphony. Rather than thinking in terms of head and solo trade-offs, map out the piece's arc from beginning to end so the ensemble understands how each phrase contributes to the whole.
  • Clarify rhythmic precision in the ensemble background parts. When the soloists are improvising or singing free lines, your section players must lock in tightly to provide a stable harmonic foundation.

How to use it

Program this as the centerpiece of a concert exploring Ellington's compositional range, or pair it with other 1940s-era big band repertoire to show how jazz symphonic writing evolved during the swing era. A 60-page conductor score indicates this is substantial enough to anchor an entire set, whether at a jazz festival, concert series, or school performance event.

Skills your students will build

  • Leading soloists while maintaining ensemble cohesion
  • Reading and interpreting through-composed forms without repetitive structures
  • Balancing written accompaniment parts with improvised solos
  • Executing quick tempo and mood shifts with ensemble clarity
  • Stylistic refinement in jazz articulation, phrasing, and dynamics across all parts

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