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The Suzuki® Violin Method in American Music Education: Violin Book

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The Suzuki® Violin Method in American Music Education Cover Image

The Suzuki® Violin Method in American Music Education: Violin Book

By John Kendall

Item: 00-0280

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This booklet was written by the first American string teacher to observe and study the Suzuki Method® in Japan, Mr. John Kendall. Kendall's gift is in large part his ability to bring the concepts and practicalities of the Suzuki Method® to the doorstep of the American private and classroom teacher in language that can be readily understood. The author attempts to clear up the misconceptions sometimes applied to Suzuki, among them: Teaching "en masse," playing with recordings, and a magic formula. The booklet provides a succinct set of ten key factors in the Talent Education process: begin at an early age * regular listening * lessons are private * parents help with practice * all music is memorized * note reading is introduced later * all students follow the same sequence of pieces * carefully selected music * cooperation, not competition, is the motivation * flexibility and freedom of movement. ". . .some totality of understanding---some vision of the basic concepts---is essential for an intelligent application of the ideas." Thus John Kendall sums up his brilliant analysis of the Talent Education process, always leaving the door open for the American teacher to tailor the basic philosophy to his or her unique teaching situation.

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Additional Details
Series: About Suzuki Series
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-87487-280-4
ISBN13: 978-0-87487-280-4
UPC: 029156606812
SKU: 00-0280

More about this title

About the Author: John Kendall

John Kendall was the first American string teacher to travel to Japan and study Shinichi Suzuki's revolutionary approach to music education firsthand. His experience observing the Talent Education process gave him unique insight into how Suzuki's philosophy could be adapted and implemented in American teaching contexts, where private studios and classroom instruction operate under different constraints than the Japanese system.

Why we love this

Kendall cuts through the mythology surrounding Suzuki with clarity and precision, offering American teachers a practical framework for understanding what the method actually is (and isn't). Rather than presenting Suzuki as a one-size-fits-all formula, he gives you permission to adapt its core principles to your own teaching situation, which is genuinely liberating.

What to expect

Practical and grounded. Kendall writes like someone who has spent time in actual studios and classrooms, not in theoretical isolation. You'll recognize the challenges he addresses because you've likely faced them yourself.

Who it's for

Private violin teachers and school string instructors exploring or implementing Suzuki principles will find this booklet indispensable. It's also valuable for music educators who want to understand the Suzuki Method beyond surface-level assumptions and administrators considering how Talent Education concepts might shape their string program.

How to get the most out of it

  • Start listening to recordings early and often; students internalize musical patterns long before they can read notation
  • Involve parents as active practice partners from day one; private lessons alone cannot sustain consistent progress
  • Sequence repertoire carefully using tested materials; the order matters as much as the pieces themselves
  • Memorization is a tool, not the goal; it develops memory, confidence, and musical understanding

How to use it

Use this as a professional reference when designing your string curriculum or training studio teachers in your area. It pairs well with actual Suzuki repertoire books as a companion text that explains the philosophy behind the sequence and pacing you're following.

Skills your students will build

  • Long-term retention of repertoire through systematic memorization
  • Listening literacy and ear training through immersion in recordings
  • Parental collaboration and accountability in practice routines
  • Sequential technical and musical development within a defined pedagogical framework

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