The Summit Is Nigh Sheet Music Preview

The Summit Is Nigh: SATB Choral Octavo

By Zanaida Stewart Robles / By Paul Laurence Dunbar

Item: 35-DS01509862

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS01509862

More about this title

Why we love this

Robles pairs Dunbar's stirring text with music that builds emotional momentum without sacrificing accessibility. The fourteen pages offer substantial musical substance for a concert piece that won't demand months of rehearsal time from your singers.

What to expect

Aspiration meets determination. The music carries listeners upward through Dunbar's meditation on perseverance and vision, creating a sense of purposeful movement toward something meaningful. There's warmth in the harmonic language and sincerity in every phrase.

Who it's for

Choirs with solid fundamental skills and ability to sustain longer pieces. This octavo works well for mixed ensembles looking for concert repertoire with poetic depth and a message that resonates.

How to get the most out of it

  • Pay attention to how the text's aspirational quality shapes your phrasing. Dunbar's language about reaching the summit invites singers to find lift and forward motion through the melodic lines.
  • Balance the four voices so that inner parts don't disappear when all four are singing together. SATB writing can easily bury the altos and tenors if your section balance hasn't been established first.
  • Consider the piece's dramatic arc and where it peaks. Plan your rehearsal time to ensure singers understand which moments need to build and which should pull back for contrast.

How to use it

This sits naturally in a concert program alongside other art song arrangements or African American choral literature. It works equally well as a closing number that leaves audiences thoughtful or as a centerpiece that anchors a thematic program about resilience and ambition.

Skills your students will build

  • Sustaining longer melodic phrases across harmonic changes
  • Balancing SATB voicing with independent inner parts
  • Interpreting poetry through vocal phrasing and dynamic control
  • Ensemble cohesion when all four voices move together

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