The Stand Sheet Music Preview

The Stand: Ukulele

As performed by Hillsong United

Item: 35-DS00286960

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Additional Details
Publisher: Hal Leonard
Page Count: 3
SKU: 35-DS00286960

More about this title

About the Artist: Hillsong United

Hillsong United is the worship band of Hillsong Church in Sydney, Australia, known for crafting contemporary Christian music that balances accessibility with musical substance. Since the 1980s, their songwriting has shaped modern worship repertoire across congregations worldwide, making their material a staple in music education settings where students explore sacred music beyond traditional hymnody.

Why we love this

The Stand works beautifully on ukulele because its straightforward harmonic language and singable melody let students focus on accompaniment patterns and rhythmic nuance rather than wrestling with complex voicings. It's accessible enough for beginners yet musically genuine, avoiding the oversimplification that plagues many easy arrangements of contemporary songs.

What to expect

Grounded and declarative, with a quiet confidence that builds through repetition rather than spectacle. The ukulele arrangement captures the song's meditative quality, creating space for reflection while maintaining forward momentum.

Who it's for

Ukulele students at the intermediate level and beyond who want to explore contemporary sacred music with solid musicianship intact. Ensembles building worship sets, campus ministries, and community music programs will find this arrangement both spiritually resonant and technically appropriate.

How to get the most out of it

  • Anchor the groove through consistent strumming patterns rather than trying to compensate with dynamics. The song's strength lies in its steady pulse.
  • Listen closely to how chord changes align with the lyrical phrases. Small dynamic swells at these transition points will highlight the song's natural phrasing without sounding forced.
  • If performing with multiple ukuleles, differentiate between players through rhythmic texture rather than volume. One player might carry steady quarter notes while another adds syncopation.
  • Pay attention to the space between phrases. Resist the urge to fill every silence. The restraint makes the message land harder.

How to use it

This fits naturally into spring concert programs focused on world music or contemporary sacred repertoire, or as part of a faith and music curriculum unit. Solo performance works equally well in worship settings, coffee house concerts, or as an assembly performance that speaks to student musicians and listeners alike.

Skills your students will build

  • Translating vocal melodies to ukulele fingerings with attention to register and sustain
  • Accompanying a singable line with rhythmic independence and tasteful restraint
  • Recognizing and executing contemporary worship chord progressions
  • Shaping musical phrasing through rhythmic texture rather than tempo or dynamic extremes

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