The Sow Took the Measles Cover Image

The Sow Took the Measles: Mixed Chorus, SATB, Choral Score

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The Sow Took the Measles Cover Image

The Sow Took the Measles: Mixed Chorus, SATB, Choral Score

By Walter Ehret

Item: 36-TC423

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Description
THE SOW TOOK THE MEASLES arranged by Walter Ehret is a humorous farmer song. The song can be accompanied by piano or guitar.

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Additional Details
Series: TetraContinuo - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 660355025082
SKU: 36-TC423
Instrumentation: SATB Chorus and Piano

More about this title

About the Composer: Walter Ehret

Walter Ehret (1918–2003) shaped American choral music across six decades as a composer, arranger, and educator. His catalog spans sacred and secular works, from canons to full-length choral suites, many designed specifically for school and community ensembles. Ehret's gift was making music that sounded fresh and singable without sacrificing musicality; his arrangements became classroom staples because they respected singers' abilities while keeping rehearsal time realistic.

Why we love this

Ehret captures the absurdist humor of a folk tale with musical precision. The arrangement gives every voice part something engaging to do while keeping the overall texture light enough that even a modest SATB section can make the audience laugh out loud. Repertoire that makes singers smile and audiences remember the performance is rare; this one delivers both.

What to expect

A musical tall tale told with a wink. The score moves with conversational lightness, punctuated by moments of mock-earnest drama that make the absurdity land harder. This is the sound of musicians and audience sharing a joke together.

Who it's for

SATB choirs looking for a showpiece that entertains without demanding virtuosity. The piece works for high school, college, and community ensembles, and it fits equally well in a formal concert or a casual community event. Singers appreciate it because the humor makes rehearsal feel less like work.

How to get the most out of it

  • Lean into the comic timing. Treat textual punchlines like dramatic moments; a well-placed breath or slight ritard can amplify the humor.
  • Balance part independence with ensemble blend in the chorus sections. Ehret's voice writing often splits the joke across parts; clarity matters more than blend.
  • Consider your accompaniment choice early in rehearsal. Piano and guitar create different moods; pick one that matches your ensemble's energy and the concert context.

How to use it

Program it as a palate cleanser between heavier works, or use it to open a concert and set a playful tone. It also works as a standalone encore or as part of a themed program celebrating folk traditions and humor in choral music.

Skills your students will build

  • Comic timing and dramatic pacing in ensemble singing
  • Maintaining textural clarity when voice parts carry different musical ideas
  • Collaborative listening across SATB lines in character-driven arrangements

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