The Sounds of Christmas, Volume 1 Cover Image

The Sounds of Christmas, Volume 1: 4 Clarinets Score & Parts

$15.00 USD
Sale price  $15.00 USD Regular price 
Skip to product information
The Sounds of Christmas, Volume 1 Cover Image

The Sounds of Christmas, Volume 1: 4 Clarinets Score & Parts

Arr. David Marlatt

Level: Easy-Medium

Item: 81-CC205

$15.00
Shipped

One moment…

Description
This is another interchangeable series from Eighth Note Publications. Any 4 instruments (flutes, clarinets, saxophones, trumpets, horns, trombones and tubas) can be combined to form a mixed quartet. Great Christmas music set to interesting and creative arrangements make holiday fun for young musicians. The 10 pieces featured in this volume are: Angels We Have Heard on High, Carol of the Bells, O Little Town of Bethlehem, We Three Kings, O Holy Night, Joy to the World, Silent Night, Pat-a-Pan, It Came Upon a Midnight Clear and We Wish You a Merry Christmas. These arrangements allow for small chamber groups to perform in a variety of venues such as concerts, at church or on Christmas gigs.

The Sounds of Christmas, Volume 1: 4 Clarinets Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
1 Angels We Have Heard on High --:--
2 Carol of the Bells --:--
3 It Came Upon a Midnight Clear --:--
4 Joy to the World --:--
5 O Holy Night --:--
6 O Little Town of Bethlehem --:--
7 Pat a Pan --:--
8 Silent Night --:--
9 We Three Kings --:--
10 We Wish You a Merry Christmas --:--

Angels We Have Heard on High

0:00
0:00
Sample Video
Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-954-8
ISBN13: 978-1-55472-954-8
UPC: 685462005093
SKU: 81-CC205
Instrumentation: 4 Clarinets

More about this title

Why we love this

Marlatt understands what makes holiday music work for young ensembles: clear voicing, rhythmic energy, and arrangements that sound finished without demanding virtuosity. The interchangeable instrumentation means you can actually use this collection across multiple years and combinations, making it a genuine resource rather than a one-off purchase.

What to expect

These arrangements honor the carol melodies while keeping the texture light and transparent. You'll hear familiar hymn tunes opening up in ways that feel fresh, with moments of rhythmic interest that keep the players engaged without overwhelming them.

Who it's for

Band directors and chamber coaches working with younger or developing clarinet players who need performance opportunities beyond the full ensemble. It's equally useful for teachers building mixed-instrument chamber groups, since the flexible instrumentation means you can pull together whatever four players you have available.

How to get the most out of it

  • Balance the four parts by having each clarinetist sit slightly apart during rehearsal; this reveals uneven intonation that blend can mask and makes tuning adjustments stick.
  • Anchor the rhythm section (typically the lower two parts) by having those players count ahead of the melody line by half a beat during early rehearsals; this prevents the common problem of the tune dragging behind the harmonic foundation.
  • Record a rough rehearsal run-through and listen back as an ensemble; young players often don't hear their own part's role in the texture until they step outside it.
  • Mark breath points in pencil before the first full rehearsal; four clarinets with staggered breathing will sound far more polished than everyone gasping at the same moment.

How to use it

Reserve a few pieces for winter concerts where a chamber group can provide contrast to full-band programming. Several of these also work well for community events, church performances, or holiday gigs where smaller ensembles are more practical than a full instrumentation.

Skills your students will build

  • Reading quartet voicing and balancing four independent melodic lines
  • Intonation tuning across a small ensemble without a conductor as primary reference
  • Breath management in sustained hymn-style passages
  • Ensemble interdependence and listening to blend rather than projecting as soloists
  • Interpreting arrangement stylistic choices (phrasing, articulation cues from the score)

You May Also Like