The Sound Of Silence (arr. Mac Huff): SAB Choral Octavo
The Sound Of Silence (arr. Mac Huff) Sheet Music Preview

The Sound Of Silence (arr. Mac Huff): SAB Choral Octavo

As performed by Pentatonix / As performed by Simon Garfunkel / Arranged by Mac Huff

Item: 35-DS00457811
Digital Download
$2.99

One moment…

Description

The Sound Of Silence (arr. Mac Huff): SAB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS00457811

More about this title

About the Artist: Pentatonix

Pentatonix emerged as a five-member a cappella group known for their intricate vocal arrangements and contemporary interpretations of both pop standards and classic songs. Their approach to arranging emphasizes vocal texture, layered harmonies, and the creative use of beatboxing as a rhythmic foundation, making them influential figures in the modern a cappella movement.

Their success in translating complex arrangements to accessible formats has made their work valuable for choral educators seeking contemporary repertoire that engages students while maintaining musical integrity. Mac Huff's SAB arrangement opens their sophisticated sound to mixed choirs at all levels.

Why we love this

Mac Huff captures the haunting quality of this iconic song while making it genuinely singable for three-part choirs. The arrangement respects the song's introspective power without overwhelming younger singers, and your students will recognize the melody instantly. It's the kind of piece that gets genuine emotional investment from rehearsal one.

What to expect

Sparse and introspective, with moments where harmony swells beneath familiar phrases. The arrangement honors the original's quietness while building vocal texture that feels natural rather than forced. It's the sound of multiple voices finding unity in a deeply introspective song.

Who it's for

Directors programming contemporary repertoire for SAB choirs who want something students actually know and care about. This works equally well for secular concert programs, mixed-level choirs, or any group looking to bridge pop and choral music without sacrificing arrangement quality.

How to get the most out of it

  • Treat the unison opening section with restraint; let silence itself do the work before voices enter, mirroring the song's thematic core.
  • Shape the dynamic arc across the whole piece rather than locking into the same volume level. This song needs room to breathe and grow.
  • Work the SAB blend carefully in the harmony sections. Part independence matters here, so each voice should know exactly where it sits relative to the others.
  • Consider what tempo serves the lyrics best. The arrangement supports flexibility, so find the pace that lets your choir deliver the text with clarity and weight.

How to use it

Pair this with other contemporary a cappella influenced pieces for a full program, or use it as a programming anchor that draws younger singers into concert attendance. It also serves as an excellent bridge piece when teaching students about arrangement and textural variety.

Skills your students will build

  • Balancing vocal independence with blend in SAB voicings
  • Sustaining lyrical expression across longer phrases
  • Dynamic control and pacing in contemporary pop arrangements
  • Interpreting text with emotional authenticity

You May Also Like