The Song Arising Sheet Music Preview

The Song Arising: Choral Instrumental Pak

By Joseph M. Martin

Item: 35-PK00291880

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Description
Exclaiming the joy and power of music, Joseph Martin has created a celebratory and hopeful composition. With divisi in both men's and women's voices, this will require an accomplished choir. Performed with the piano accompaniment, this is a powerhouse. When performed with the brass and percussion (2 horns, 3 trumpets, 2 trombones, tuba and 2 percussion players) this will be a tour de force.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00291880

More about this title

About the Composer: Joseph M. Martin

Joseph M. Martin

Joseph M. Martin studied piano performance at Furman University and earned his master's degree from the University of Texas at Austin, where he later taught in the Piano Pedagogy Department for five years. His career as a solo artist took him across the United States and Mexico, including a performance with the Guadalajara Symphony Orchestra after winning the Nina Plant Wideman Competition, and a nationally broadcast recital from a historic Mexican venue.

Though Martin continues performing in concert, his focus has shifted toward church music and worship settings. His compositions and arrangements now reach audiences in spaces ranging from Carnegie Hall to hundreds of congregations across North America, where his work is known for its stylistic range and depth.

Why we love this

Martin writes with genuine understanding of what accomplished choirs can achieve, and this piece demands that skill level while rewarding the effort lavishly. The architecture allows you to scale the performance to your resources: solid on piano alone, but genuinely transformed when you add the full brass and percussion section. That flexibility, combined with the unapologetic celebration at the piece's core, makes it a natural closer for a concert or festival program.

What to expect

Buoyant, confident, and genuinely celebratory. The writing captures real joy without straying into saccharine territory, and the full arrangement carries genuine power. You'll feel the lift in your choir's sound as all the voices lock together, especially when the brass enters to amplify that brightness.

Who it's for

Advanced choirs ready to navigate divisi writing and sustain energy across a substantial piece. Directors programming a concert finale or festival showcase will find this ideal, especially those with access to brass and percussion players who can rehearse independently.

How to get the most out of it

  • Balance the divisi passages carefully in rehearsal; mark the dividing line clearly on your scores and use sectional rehearsals to ensure each voice part has security before blending them together
  • If performing with full instrumentation, schedule separate rehearsals with your brass and percussion players to lock the rhythmic foundation before combining with the choir
  • The piece thrives on conviction and forward motion; avoid letting the full orchestration become heavy or muddy by keeping articulation crisp and releases precise across all sections
  • Record a rehearsal run-through with all forces combined well before the performance date so singers can hear the final sound and adjust their energy and balance accordingly

How to use it

Save this for your final spot on a concert program. It builds to an event rather than settling into one, making it perfect for the closing number at a spring festival or concert series finale. The piece also works beautifully in a sacred or worship context where celebrating music's transformative power fits your liturgical or thematic arc.

Skills your students will build

  • Reading and executing divisi writing in both soprano and bass lines
  • Blending with a full brass section while maintaining vocal tone and clarity
  • Balancing multiple rhythmic layers between choir, piano, and percussion
  • Sustaining musical energy and consistency across a longer form with dramatic dynamic shifts
  • Interpreting Martin's expressive and stylistic intentions as a contemporary composer

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