The Solo Flute: Selected Works from the Baroque to the 20th Century, Vol. 1 Cover Image

The Solo Flute: Selected Works from the Baroque to the 20th Century, Vol. 1: Flute/Piccolo (Solo) Album

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The Solo Flute: Selected Works from the Baroque to the 20th Century, Vol. 1 Cover Image

The Solo Flute: Selected Works from the Baroque to the 20th Century, Vol. 1: Flute/Piccolo (Solo) Album

The Baroque Era

Edited by Mirjam Nastasi

Item: 98-EP8641A

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Description
An anthology collection in four volumes of great works for the solo flute. This first volume contains works from the Baroque period by Telemann, J.S. Bach, C.P.E. Bach, Quantz, and many others.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN10: 0-01-406960-1
ISBN13: 979-0-0140-6960-5
SKU: 98-EP8641A

More about this title

Why we love this

This anthology cuts through the noise of scattered single editions by gathering the foundational solo flute repertoire under one cover. The Baroque works here represent the actual literature flutists were expected to know, not diluted arrangements or teaching pieces masquerading as classics. You get authentic voices from the period's greatest composers working in the genre they helped define.

What to expect

Light but never frivolous. These pieces inhabit the space where melody dances with harmonic sophistication, where a simple-looking phrase can contain layers of compositional craft waiting to be uncovered. There's an intimacy to solo flute writing from this era that rewards close listening.

Who it's for

Advanced high school students and college flutists building their solo repertoire with historically grounded material. Teachers looking for authentic Baroque works that don't require page turns every eight measures will appreciate the thoughtful selection here.

How to get the most out of it

  • Study the ornamentation patterns across multiple composers in this volume; Baroque flute style shifts noticeably from Telemann's sprightly elegance to Bach's architectural precision.
  • Balance your vibrato carefully in these works. The written line often needs breath support to sing through longer phrases without modern vibrato becoming a crutch.
  • Use the articulation markings as your first clue to character. These composers were specific about tonguing patterns because they shape the entire interpretation.
  • Work the technical passages in sections rather than pushing through at tempo. The runs and scalar figures sit differently on the flute when you understand their harmonic function first.

How to use it

Pull individual pieces for solo recital work or chamber programming rather than performing the entire volume at once. A single Bach allemande or Telemann sonata movement pairs beautifully with a contrasting contemporary work on a diverse concert. These are also essential study pieces for students preparing auditions at serious music programs.

Skills your students will build

  • Baroque ornamentation and articulation conventions
  • Period-appropriate phrasing across multiple compositional styles
  • Technical facility with scalar passages and wide intervallic leaps
  • Score reading with minimal modern editorial markings
  • Understanding of flute writing from composers who wrote for the instrument's specific capabilities

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