The Skaters' Waltz Cover Image

The Skaters' Waltz: String Orchestra Conductor Score

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The Skaters' Waltz Cover Image

The Skaters' Waltz: String Orchestra Conductor Score

By Emil Waldteufel / arr. Robert Longfield

Grade: 2.5

Item: 98-ST6077S

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Description
Add this classical masterpiece to your next winter concert. Robert Longfield has gone to great lengths to make this very accessible to developing musicians while retaining all the character of the original version. Your audience will be able to imagine the smooth, graceful strides of the skaters in the flowing, legato melodies of this popular waltz. An excellent choice, especially for directors looking for classical music appropriate for a winter concert!

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Additional Details
Series: FJH Developing Strings
Publisher: The FJH Music Company, Inc.
UPC: 241444547342
SKU: 98-ST6077S

More about this title

About the Composer: Emil Waldteufel

Emil Waldteufel (1837–1915) was an Alsatian composer and conductor whose waltzes defined the lighter, more lyrical side of 19th-century dance music. While his contemporaries Strauss and Lanner commanded Vienna's ballrooms, Waldteufel brought a distinctly French elegance to the waltz form, earning him the title "Strauss of the Salons." His gift for memorable melody and orchestral color made his works staples of concert halls and ballrooms across Europe.

Waldteufel's output spans over 250 compositions, yet he remains best known for a handful of enduring pieces, including The Skaters' Waltz. This work, published in 1882, captures the joy and movement of winter sport with a directness that resonates with audiences of all ages. For music educators, Waldteufel's approach offers a gateway into the Romantic era's orchestral traditions without the harmonic complexity or dramatic weight of his more symphonic contemporaries.

Why we love this

Longfield's arrangement strips away unnecessary doublings and high-register complexity while preserving the waltz's characteristic grace and its immediately recognizable opening melody. The Grade 2.5 setting means your developing string musicians can play this with genuine musicality, not as a simplified pastiche. Winter concerts need repertoire that audiences recognize and enjoy, and this piece delivers both in spades.

What to expect

The piece opens with a graceful, swaying melody that immediately evokes gliding motion and smooth ice. Legato phrases unfold with natural elegance, allowing players and listeners alike to imagine the rhythmic confidence of skaters in their element, neither rushed nor labored.

Who it's for

String orchestras at the developing level (Grades 2 and above) that want to program a recognizable classical work without stretching beyond their current technical abilities. Conductors seeking winter concert repertoire that appeals to audiences while remaining accessible to younger players will find this an ideal fit.

How to get the most out of it

  • Shape the famous opening melody with a gentle swell into each phrase's peak rather than sustaining a flat dynamic; this breathing quality is essential to a waltz's natural forward motion.
  • Balance the accompaniment so that lower strings support without obscuring the violins' singing line; rehearse the violas and cellos as a unit to establish a clear harmonic foundation.
  • Maintain a consistent, elegant tempo throughout; resist the urge to slow down for expressive moments, as the waltz's vitality depends on rhythmic continuity.
  • Articulate staccato passages in the accompaniment with a light touch to keep the piece buoyant rather than mechanical; this lightness mirrors the image of skaters gliding across ice.

How to use it

Position this as a centerpiece of a holiday or winter concert, pairing it with a more contemporary seasonal selection to balance programming. Its approachable style and familiar character make it an excellent choice for a family concert where classical music shares space with pops arrangements.

Skills your students will build

  • Sustaining legato lines across phrase boundaries
  • Playing waltz accompaniment patterns with consistent rhythmic drive
  • Balancing melody and accompaniment within a classical ensemble texture
  • Conducting and responding to graceful phrasing in triple meter

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