The Sixties: Music That Rocked The World Sheet Music Preview

The Sixties: Music That Rocked The World: Choral Instrumental Pak

Arranged by Kirby Shaw

Item: 35-PK00176383

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Description
The decade of the Sixties was a time of cultural upheaval, change, and conflict, but it also produced some of the most vibrant and lasting music of the 20th century! From dance crazes, to folk rock, to soul, to surf music and the legacy of the Beatles, singers and audiences of all ages will celebrate the the artists who shaped our pop music history. This 12-minute medley includes these top hits: "The Twist" (Chubby Checker), "People Got to Be Free" (The Rascals), "The Sound of Silence" (Simon and Garfunkel), "Respect" (Aretha Franklin), "I Get Around" (The Beach Boys), "I Got You (I Feel Good)" (James Brown), "Spinning Wheel" (Blood, Sweat Tears), "Hey Jude" (The Beatles). Duration: ca. 11:20.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00176383

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About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw is a prolific composer and arranger whose work reaches choirs worldwide; his catalog of over 2,500 pieces has sold nearly 20 million copies and earned multiple ASCAP awards. With advanced degrees in Music Education, Choral Composition, and Choral Conducting from San Jose State University and the University of Washington, Shaw has taught across the country and internationally, building and directing award-winning vocal jazz ensembles at the College of the Siskiyous, Colorado State University, and the University of Missouri at Kansas City. His mentors have included legendary jazz vocalists like Bobby McFerrin, Al Jarreau, and Jon Hendricks, an influence evident in the musicality and precision that define his arrangements.

Shaw brings humor, deep musical knowledge, and an infectious energy to everything he creates. Beyond his choral work, he co-wrote the original musical Scroogical with his wife, Markita, and serves as director of the Jefferson State Choral Coalition at Southern Oregon University. He is also a member of Just 4 Kicks, a jazz-focused a cappella quartet, keeping him grounded in the improvisational and interpretive traditions that inform his teaching and writing.

Why we love this

Shaw's gift is making iconic songs feel fresh and singable without sacrificing their essential character. He threads eight major hits through a single arc, so the medley never feels like a jukebox; instead, each transition lands as a natural musical conversation. Audiences of all ages will connect immediately, and your singers get to inhabit real vocal jazz vocabulary and energy while learning to balance pop accessibility with genuine musicianship.

What to expect

Infectious and purposeful. The music moves through decades of American popular song with real affection for what made each era matter, never winking at the audience or reducing these hits to nostalgia. There is joy here, but also vocal sophistication and respect for the original artists who shaped the sound.

Who it's for

Choirs looking to program something with genuine cultural weight and broad appeal. Directors seeking a substantive pop repertoire that avoids novelty while honoring the artistry of these songs. Any group that wants their audience smiling and singing along by the second verse.

How to get the most out of it

  • Pay attention to the rhythmic pocket in "The Twist" and "I Got You (I Feel Good)" to keep that irresistible forward drive; these songs live on the grid, not ahead of it
  • Shape the quieter moments like "The Sound of Silence" with transparent dynamics so the shift back into "Respect" hits with full power
  • Work the vocal harmonies as grooves, not just chords; Shaw writes parts that move, so encourage singers to feel the independence of their lines within the texture
  • Balance the ensemble sound during "Hey Jude" so the familiar simplicity reads as intentional warmth rather than stripped down

How to use it

Position this as a closing statement on a concert devoted to 20th-century music, where it can bridge classical work with the pop traditions students actually know. The 11-minute length makes it ideal for a standalone feature in a pop or light classics concert, letting the medley breathe as its own statement rather than one item in a longer program.

Skills your students will build

  • Singing contemporary and historical pop/rock repertoire with authentic style and phrasing
  • Managing rhythmic precision and groove across multiple time signatures and feels
  • Balancing vocal blend in a mixed ensemble while maintaining line independence
  • Reading and interpreting musical context across genre transitions within a single work

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