The Sighting Cover Image

The Sighting: Soprano Clarinet, 4 Clarinets, Bass Clarinet Score & Parts

$15.00 USD
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The Sighting Cover Image

The Sighting: Soprano Clarinet, 4 Clarinets, Bass Clarinet Score & Parts

By Jeff Smallman

Level: Medium-Difficult

Item: 81-CC2235

$15.00
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Description
The Sighting was written for a short film produced in 1995 in Vancouver but, due to time constraints, was never included in the finished film. This work is the middle in a set of three movements (the first being The Search and the third The Encounter). This piece, like the others, is for a clarinet choir consisting of 1 e-flat clarinet, 4 b-flat clarinets and 1 bass clarinet.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-882-7
ISBN13: 978-1-55472-882-4
UPC: 685462005208
SKU: 81-CC2235
Instrumentation: Soprano Clarinet, 4 Clarinets, Bass Clarinet

More about this title

Why we love this

The Sighting sits comfortably in the medium-difficult range, making it accessible for advancing clarinet choirs while still offering genuine musical substance. Smallman's orchestration across the full clarinet family creates rich, blended sonorities that feel both unified and distinctive, and the contest/festival designation signals that directors can program this with confidence at adjudicated events.

What to expect

The Sighting evokes a moment of quiet discovery, with transparent clarinet textures that invite listeners into an intimate space. Though originally conceived for film, the piece speaks through pure instrumental color and ensemble warmth rather than dramatic gesture.

Who it's for

Clarinet choirs, advanced high school ensembles, and college woodwind groups looking for literature that challenges their blend and intonation without requiring virtuosic individual passages. This work also suits directors preparing a festival program where ensemble cohesion and balanced sonority are priorities.

How to get the most out of it

  • Balance the e-flat clarinet against the four b-flats so the soprano voice carries the melody without overwhelming the harmonic foundation. Rehearse with careful dynamic control in the tutti passages.
  • Use the bass clarinet to anchor the ensemble's bottom register; its tone should be present but never intrusive during passages where the upper voices carry the primary material.
  • Pay close attention to intonation within the clarinet choir, especially in sustained chords. The proximity of pitch across multiple voices can expose tuning issues quickly.

How to use it

Program this as part of a clarinet choir feature concert or as a centerpiece for a woodwind-focused recital. Directors might also pair it with The Search and The Encounter to create a complete narrative arc, or use it as a festival entry that demonstrates strong section playing and musical maturity.

Skills your students will build

  • Ensemble balance within a full clarinet choir
  • Intonation control across multiple voices in the same register
  • Blending soprano and soprano-class instruments (e-flat and b-flat clarinets)
  • Phrasing and musicality in a non-soloistic ensemble context
  • Reading score and parts with consistent articulation and dynamic shaping

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