The Safety Dance: Marching Band Conductor Score & Parts
By Ivan Doroschuk / As performed by Men Without Hats / As performed by Glee Cast / Arranged by Jay Bocook / Arranged by Omar Carmenates
Grade: 4
Item: 35-PK00176332
Pickup currently not available
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| Product | Price | Quantity |
|---|---|---|
| The Safety Dance - Full Score | $8.00 | |
| The Safety Dance - Flute/Piccolo | $6.00 | |
| The Safety Dance - Bb Clarinet | $6.00 | |
| The Safety Dance - Eb Alto Sax | $6.00 | |
| The Safety Dance - Bb Tenor Sax | $6.00 | |
| The Safety Dance - Eb Baritone Sax | $6.00 | |
| The Safety Dance - 1st Bb Trumpet | $6.00 | |
| The Safety Dance - 2nd Bb Trumpet | $6.00 | |
| The Safety Dance - 3rd Bb Trumpet | $6.00 | |
| The Safety Dance - F Horn | $6.00 | |
| The Safety Dance - Bb Horn/Flugelhorn | $6.00 | |
| The Safety Dance - 1st Trombone | $6.00 | |
| The Safety Dance - 2nd Trombone | $6.00 | |
| The Safety Dance - Baritone B.C. | $6.00 | |
| The Safety Dance - Baritone T.C. | $6.00 | |
| The Safety Dance - Tuba | $6.00 | |
| The Safety Dance - Electric Bass | $6.00 | |
| The Safety Dance - Bells | $6.00 | |
| The Safety Dance - Xylophone | $6.00 | |
| The Safety Dance - Snare Drum | $6.00 | |
| The Safety Dance - Cymbals | $6.00 | |
| The Safety Dance - Quad Toms | $6.00 | |
| The Safety Dance - Multiple Bass Drums | $6.00 | |
| The Safety Dance - Aux Percussion | $6.00 |
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Description
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More about this title
About the Composer: Ivan Doroschuk
Ivan Doroschuk founded Men Without Hats in the early 1980s and became the creative force behind the band's synth-pop sound. His work as a composer and vocalist shaped the new wave landscape of the decade, blending electronic instrumentation with pop sensibility in ways that felt both experimental and immediately accessible.
Why we love this
This arrangement captures the infectious energy of an 80s pop phenomenon without sacrificing musical substance. The optional vocals give you flexibility for different performance contexts, and the Grade 4 difficulty keeps the focus on groove and style rather than technical barriers. Your students will actually want to play this one.
What to expect
Buoyant and witty, with that unmistakable 80s synthetic brightness that somehow still feels fresh. The groove is built for movement, and the arrangement maintains that signature blend of quirk and catchiness that made the original inescapable.
Who it's for
Bands looking for contemporary repertoire that connects with students and audiences alike. This works especially well for groups seeking entertaining show material that doesn't sacrifice musicianship or require advanced technical demands.
How to get the most out of it
- Lock in the syncopated rhythms in the horn line by rehearsing them against a click track at half tempo, then gradually building speed.
- Balance the electronic character of the original by keeping melodic lines clear and letting the rhythm section drive the pocket.
- If using vocals, treat them as another instrumental color rather than the focal point. The arrangement should sparkle whether or not singers are on the field.
- Emphasize the call and response sections between upper and lower voices to capture the playful back-and-forth energy of the tune.
How to use it
Consider this for a lighter moment in a show built around decades of pop music, or as a season opener that signals your band knows how to have fun. It pairs well alongside other accessible pop arrangements and works particularly well if you're building a show with a dance or visual component.
Skills your students will build
- Syncopated rhythm patterns and subdivision awareness
- Stylistic interpretation of pop music idioms
- Call and response phrasing and ensemble balance
- Reading optional vocal parts while maintaining instrumental focus