The Rosary for Trumpet/Cornet Trio and Piano Cover Image

The Rosary for Trumpet/Cornet Trio and Piano: Trumpet, Trio

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The Rosary for Trumpet/Cornet Trio and Piano Cover Image

The Rosary for Trumpet/Cornet Trio and Piano: Trumpet, Trio

By Ethelbert Nevin / arr. Floyd O. Harris

Grade: 1

Item: 36-10512159

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Description
Ethelbert Nevin (1862-1901) wrote the Rosary for voice and piano in 1898, and it is one of the pieces for which he is best known. Floyd Harris has arranged the work here for a trombone trio with piano accompaniment. The work is a perfect selection for beginning brass players to take to contest or play at a recital. Versions exist for trumpet/cornet solo, duo, or trio, trombone solo, duo, or trio, and baritone solo or duo. Each version has piano accompaniment.

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Additional Details
Series: LudwigMasters Brass Series
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852399-5
ISBN13: 979-8-88-852399-5
UPC: 676737680718
SKU: 36-10512159
Instrumentation: Detailed Instrumentation: Cornet Trio and Piano

More about this title

About the Composer: Ethelbert Nevin

Ethelbert Nevin (1862–1901) was an American composer and pianist whose gift for melody made him one of the most performed American composers of his era. Though he studied in Europe and composed extensively across vocal, instrumental, and orchestral genres, his enduring legacy rests largely on a handful of songs and character pieces that captured the hearts of amateur musicians and concert audiences alike. The Rosary, written in 1898, exemplifies the accessible lyricism that defined his work and ensured its survival in the teaching repertoire long after his early death.

Why we love this

This arrangement captures what made Nevin's original so durable: a singable, shaped melody that sits naturally in the trumpet range and rewards careful phrase shaping without requiring advanced technique. At Grade 1, it offers beginning brass players the chance to perform a recognized masterwork at contests and recitals, building confidence and musical maturity in a way that generic exercise material simply cannot.

What to expect

Warm and devotional, with the gentle gravity of a hymn or spiritual meditation. The melody unfolds unhurriedly, inviting the players to shape its contours with care and allow its simple beauty to speak without embellishment.

Who it's for

Beginning trumpet and cornet players seeking contest and recital literature that combines accessibility with musical substance. This trio setting works well for young musicians who are ready to play in ensemble but may not yet have the range or stamina for more demanding brass writing.

How to get the most out of it

  • Treat this as a song arrangement, not a technical display. Breathe where a vocalist would, and shape each phrase with a clear beginning, middle, and gentle arrival rather than a chop at the end.
  • Balance the three trumpet voices carefully in rehearsal. The melody line should sing above supportive harmonies; if all three parts play with equal weight, the phrase direction dissolves.
  • Work closely with the pianist on tempo steadiness and accompaniment texture. The piano part should breathe with the brass, responding to slight rubato rather than pushing through it.

How to use it

Pair this with other arrangements from the same series to create a recital devoted to accessible classics, or place it as a bridge between more energetic opener and closer on a contest program. Its familiar tune often resonates with audiences, making it an excellent choice for community performances where connecting with listeners matters as much as technical display.

Skills your students will build

  • Phrasing and breath management in a song context
  • Ensemble balance and voice independence in three-part harmony
  • Intonation tuning within sustained chords
  • Musical interpretation of lyrical material

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