The Rosary for Trumpet/Cornet and Trombone Duo and Piano Cover Image

The Rosary for Trumpet/Cornet and Trombone Duo and Piano: Brass Duo & Ensemble, Duo

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The Rosary for Trumpet/Cornet and Trombone Duo and Piano Cover Image

The Rosary for Trumpet/Cornet and Trombone Duo and Piano: Brass Duo & Ensemble, Duo

By Ethelbert Nevin / arr. Floyd O. Harris

Grade: 1

Item: 36-10501159

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Description
Ethelbert Nevin (1862-1901) wrote the Rosary for voice and piano in 1898, and it is one of the pieces for which he is best known. Floyd Harris has arranged the work here for a trombone trio with piano accompaniment. The work is a perfect selection for beginning brass players to take to contest or play at a recital. Versions exist for trumpet/cornet solo, duo, or trio, trombone solo, duo, or trio, and baritone solo or duo. Each version has piano accompaniment.

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Additional Details
Series: LudwigMasters Brass Series
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852396-0
ISBN13: 979-8-88-852396-4
UPC: 676737679606
SKU: 36-10501159
Instrumentation: Detailed Instrumentation: Cornet and Trombone Duet and Piano

More about this title

About the Composer: Ethelbert Nevin

Ethelbert Nevin (1862-1901) was an American composer and pianist whose gift for melody made him one of the most performed composers of the late nineteenth century. Born in Edgeworth, Pennsylvania, he studied in Boston and Europe, absorbing both American and European musical traditions. His songs and piano pieces circulated widely through sheet music, and his work bridged the worlds of concert music and popular song with equal fluency.

Nevin's greatest legacy may be his ability to craft emotionally direct, singable melodies that lodge in the listener's memory. The Rosary, composed in 1898, exemplifies this gift. Though he died at only 38, his music remains accessible to music students and performers seeking material that rewards both technical development and expressive playing.

Why we love this

Nevin's melody is genuinely beautiful and stands up to repeated listening without becoming saccharine. This arrangement gives beginning brass players immediate access to a piece that sounds complete and mature, even at Grade 1 level, making it ideal for building confidence and musicality in young ensembles.

What to expect

The Rosary is meditative and warm, built on a flowing melody that feels almost hymn-like in its earnestness. The piece unfolds with gentle dignity; there are no technical fireworks, only the steady unfurling of a melody that invites the listener to follow its contours with quiet attention.

Who it's for

Grade 1 brass players ready to perform a complete, accessible duet with piano. This works beautifully for beginning cornet and trombone players in their first or second year of study, whether preparing for a recital, lesson showcase, or brass contest.

How to get the most out of it

  • Shape the phrases with a singing tone throughout; treat this as a vocal melody that happens to be written for instruments, which keeps the phrasing natural and lyrical.
  • Balance the duo carefully so the cornet and trombone blend as equal voices rather than one overpowering the other, especially in the opening statement of the theme.
  • Let the piano provide harmonic color and support without rushing the accompaniment; maintain a steady, gentle pulse that allows the brass players to breathe.

How to use it

Program this in a young brass recital or classroom concert where beginning students need a piece that feels substantial and expressive without demanding advanced technique. It pairs well with folk-tune arrangements or other Grade 1 duets, and its spiritual character makes it fitting for services, school assemblies, or memorial events.

Skills your students will build

  • Maintaining a consistent singing tone across the full range of the instrument
  • Balancing a duet so both players are heard equally
  • Phrasing a lyrical melody with clear breathing and musical direction
  • Following a piano accompaniment without rushing or dragging
  • Reading a score and understanding when to blend with a partner

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