The Rising of the Sun Cover Image

The Rising of the Sun: SATB divisi Choral Octavo

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The Rising of the Sun Cover Image

The Rising of the Sun: SATB divisi Choral Octavo

for Choir and Organ

By Jonathan Dove

Level: Intermediate

Item: 98-EP73737

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Description
The Rising of the Sun for SATB choir (divisi) and organ (duration 4 minutes) was commissioned by Repton School, in memory of Richard Bradburn, and is a setting of part of Psalm 113. It begins with a solitary bird greeting the approaching dawn, and builds to a dance-like song of praise. First performed by Repton School Chapel Choir on 24 January 2024 with Oliver Walker (conductor) and Roger Owens (organ).

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Additional Details
Publisher: Edition Peters
Page Count: 24
ISBN10: 0-577-02408-6
ISBN13: 979-0-577-02408-0
SKU: 98-EP73737

More about this title

About the Composer: Jonathan Dove

Jonathan Dove is a British composer whose works span opera, orchestral music, and choral writing. His compositional voice balances accessibility with genuine sophistication, making his pieces rewarding for both performers and audiences. Dove has built a significant presence in the choral repertoire, with commissions from major institutions and a gift for setting texts that illuminate both their meaning and musical possibilities.

Why we love this

Dove captures something genuinely cinematic here. The image of a solitary bird greeting dawn before the music blooms into communal praise gives you a narrative arc that feels earned, not imposed. Intermediate choirs get to experience real compositional craftsmanship, and your singers will feel the organic growth from intimate to joyful without technical barriers getting in the way.

What to expect

The piece unfolds like watching light gradually fill a landscape. It begins with delicate, almost tentative sounds, then grows steadily into something celebratory and rhythmically alive. There's joy here that feels grounded and earned rather than sentimental.

Who it's for

Intermediate SATB choirs looking for contemporary sacred music that commands attention without extreme technical demands. This works equally well for a school chapel program, festival repertoire, or a concert exploring psalm settings across centuries.

How to get the most out of it

  • Let the opening bird imagery breathe. The solitary moment needs space and clarity before the rest of the choir enters; underscore the silence between phrases rather than rushing them together.
  • Balance the divisi sections carefully. When voices split, particularly in the lower parts, confirm that singers sit together sectionally so blend and tuning stay cohesive across the divided lines.
  • Shape the text rhythmically. The dance-like qualities emerge through forward motion in the praise section; avoid letting repeated figures become mechanical by varying how you weight syllables across repetitions.
  • Work closely with your organist on transitions. At 4 minutes, pacing and handoff moments between choir and accompaniment become structural anchors that shape the listener's experience of the whole.

How to use it

Pair this with an earlier psalm setting in a concert that traces how composers have imagined praise across different eras. Its four-minute span makes it an ideal anchor piece for a thematic program on dawn, resurrection, or gratitude. The commissioning context also invites programming in memorial or tribute services where the musical narrative supports the occasion.

Skills your students will build

  • Managing divisi voicing with secure intonation across independent lines
  • Shaping narrative arc through dynamic and textural buildup
  • Balancing lyrical restraint with rhythmic momentum in contemporary sacred writing
  • Coordinating ensemble sound with organ accompaniment in a liturgical context

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