The Reel Deal: 1st Violin

The Reel Deal walks the line between authenticity and accessibility that makes Bernotas's work so teachable. Irish reel conventions feel genuine (the optional cajon seals it), yet the harmonic surprises prevent the piece from becoming predictable, keeping both ensemble and audience engaged. Melodic rotation ensures every section of your orchestra gets a featured moment, which builds buy-in across the whole group.

A reel in D major feels bright and open, propelled by the rhythmic energy typical of Irish fiddle music. The surprising harmonies add color without losing the tuneful, toe-tapping quality that makes reels so satisfying to play, while the optional cajon brings an earthy, authentic texture that conjures a session room rather than a concert hall.

String orchestras at the Grade 3 level will find this piece accessible yet musically rewarding. It works well for ensembles ready to tackle folk idioms and original composition, whether they are preparing for festival competition or building concert repertoire that engages student musicians and audiences alike.

• Establish a steady pulse early and let the rhythm section (cajon, if using it) anchor the ensemble. The reel style depends on infectious rhythmic clarity, so lock that foundation before layering melody.
• Highlight the harmonic surprises Bernotas introduces. Have players listen actively when harmonies shift away from what the melody suggests, so the piece feels intentional and fresh rather than uncertain.
• Balance melody and accompaniment carefully during the sections where multiple instruments play the tune. Some parts will double the melody while others provide harmonic support; make sure both layers breathe without one overwhelming the other.
• If you include the optional cajon part, rehearse it separately first to establish the authentic Irish feel. Even young percussionists can learn that this rhythm style requires a different touch than classical accompaniment.

The Reel Deal lands perfectly as a closer to a concert or festival set, offering the kind of high-energy send-off that leaves audiences smiling. Its three-minute duration and upbeat character also make it an excellent opener for a program that mixes styles, signaling to listeners that the evening will include both sophistication and fun.

• Reading and performing in D major with confident intonation
• Identifying and executing reel rhythm patterns characteristic of folk idioms
• Balancing individual melodic lines when multiple instruments play the tune simultaneously
• Responding to harmonic shifts and unexpected voice leading within a tonal context
• Listening across the ensemble to maintain rhythmic cohesion in up-tempo folk style