The Really Easy Tenor Horn Book Cover Image

The Really Easy Tenor Horn Book: French Horn & Piano Book

$12.99 USD
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The Really Easy Tenor Horn Book Cover Image

The Really Easy Tenor Horn Book: French Horn & Piano Book

Very First Solos for Tenor Horn with Piano Accompaniment

Arr. Leslie Pearson

Item: 12-0571509975

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Description
If you can play just a few notes on the tenor horn (or soprano cornet), then you're ready for this book. Here are 9 imaginative little pieces specially composed for the absolute beginner, all of them with attractive piano accompaniments. The pieces are arranged progressively, so you can hear the step-by-step improvement in your playing as well as simply enjoying the music.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-50997-5
ISBN13: 978-0-571-50997-3
UPC: 9780571509973
SKU: 12-0571509975
Instrumentation: French Horn & Piano

More about this title

Why we love this

The progressive arc matters here. Each piece builds on the last without feeling like an exercise, so students hear their own growth across the nine studies. Piano accompaniments that are genuinely musical (not just functional) make rehearsals feel like real performances, even in week two.

What to expect

Encouraging and musical from the first page. The pieces have distinct personalities rather than a generic etude feel, so students encounter variety in style and mood while staying within their technical range.

Who it's for

Beginning horn students who have command of a few notes and are ready to move beyond single-line studies into short character pieces. This book also serves well for adult learners returning to music or picking up horn for the first time.

How to get the most out of it

  • Balance the melody against the piano part by thinking of yourself as a soloist with accompaniment, not as the dominant voice. The arrangement is designed to support you, so lean on it.
  • Work through the pieces in order. The compositional progression reveals itself when you play them sequentially; jumping around loses the pedagogical design.
  • Listen to the harmonic movement underneath your line. These aren't just note-reading exercises; they're opportunities to internalize how melody sits within chord progressions.

How to use it

Schedule these pieces early in the fall semester as confidence-builders for new or returning players. They work well as warm-up solos in rehearsal or as short recital offerings for players still developing their tone security.

Skills your students will build

  • Reading in the treble clef staff with consistency
  • Maintaining steady tone across a limited range
  • Responding to piano accompaniment and staying rhythmically aligned
  • Understanding phrase shape and musical phrasing at a beginner level
  • Building sight-reading fluency through short, varied pieces

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