The Real Thing Sheet Music Preview

The Real Thing: SSA Choral Octavo

By Stevie Wonder / As performed by Sergio Mendes / Arranged by Paris Rutherford

Item: 35-DS00151469

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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS00151469

More about this title

About the Composer: Stevie Wonder

Stevie Wonder stands among the most consequential songwriters in popular music, with a catalog that spans multiple genres and generations. His work demonstrates sophisticated harmonic vocabulary, rhythmic innovation, and emotional depth that translates powerfully across instrumental and vocal arrangements. For music educators, his compositions offer rich material for teaching contemporary harmony, groove-based ensemble singing, and the intersection of pop and jazz sensibilities.

Why we love this

Paris Rutherford's SSA voicing captures the warmth and accessibility of Wonder's original while maintaining the song's sophisticated harmonic movement. The arrangement works equally well in a pop-focused concert or as a bridge between jazz and contemporary repertoire, giving directors real flexibility in programming. Your singers will engage immediately with material they recognize, while the voicing and part writing demand genuine musicianship.

What to expect

Warm, grooving, and introspective. The SSA voicing creates intimacy while the Latin undertones give the piece forward momentum and sophistication. There's a sense of vocal conversation within each phrase, with the harmonies supporting rather than competing with Wonder's recognizable melody.

Who it's for

Choirs seeking contemporary repertoire with genuine artistic weight will find this arrangement immediately accessible. Upper-level high school and college ensembles benefit most, though strong middle school programs can navigate the voicing and style with proper coaching. Directors looking to program pop, jazz, or Latin music without sacrificing musical substance will recognize the pedagogical value here.

How to get the most out of it

  • Establish the groove early in rehearsal. The Latin and pop elements only land if your singers feel the pulse as a living thing rather than a metronome click.
  • Balance the voicing so the melody sits naturally without overwhelming the harmonic support. This arrangement thrives on blend.
  • Use the recorded accompaniment as a reference, but challenge your singers to hear themselves independently within the texture. Strong internal listening prevents overdependence on the track.
  • Shape the phrasing through breath placement and dynamic contour rather than tempo changes. Wonder's vocal style prizes continuity and flow.

How to use it

Place this in a concert celebrating American songwriting or as an anchor for a set exploring rhythm and groove in contemporary music. Its approachable style makes it an excellent transition piece between more classical repertoire and overtly jazz-influenced work. Consider programming it alongside other arranged pop standards to showcase your singers' stylistic range.

Skills your students will build

  • Singing with clear rhythmic precision in syncopated figures
  • Balancing melody and harmony in close voicing
  • Maintaining steady groove against rhythmic accompaniment
  • Shaping phrasing across longer melodic lines without relying on breath marks
  • Voice leading across SSA/SSAA distribution to prevent doubling muddy
  • Interpreting contemporary popular music with vocal maturity

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