The Prince of Denmark's March [transcription; Spurious attribution to Purcell as 'Trumpet Voluntary'] Cover Image

The Prince of Denmark's March [transcription; Spurious attribution to Purcell as 'Trumpet Voluntary']: Full Orchestra Conductor Score

$10.00 USD
Sale price  $10.00 USD Regular price 
Skip to product information
The Prince of Denmark's March [transcription; Spurious attribution to Purcell as 'Trumpet Voluntary'] Cover Image

The Prince of Denmark's March [transcription; Spurious attribution to Purcell as 'Trumpet Voluntary']: Full Orchestra Conductor Score

By Jeremiah Clarke, ed./arr. Clayton Westermann

Item: 36-A189501

$10.00
Shipped

One moment…

Description
The Prince of Denmark's March was composed around 1700 by Jeremiah Clarke (c. 1674-1707), an English Baroque composer and organist of St. Paul's Cathedral, and it became one of the most enduring ceremonial pieces of the era. For many years the work was spuriously attributed to Henry Purcell and widely known as the Trumpet Voluntary, a misattribution that persisted well into the 20th century before Clarke's authorship was firmly established. Despite its title, the piece is not connected to a dramatic plot but was likely written for courtly or ceremonial occasions associated with the Danish-born Prince George of Denmark, consort of Queen Anne. No specific premiere documentation survives, though it would have been performed in London in royal or ecclesiastical settings. The 1966 orchestration by Clayton Westermann adapts Clarke's stately trumpet-and-strings texture for modern ensemble forces while preserving its dignified Baroque character. The Prince of Denmark's March remains a staple of ceremonial repertoire, frequently heard at weddings, state occasions, and formal celebrations. Instrumentation: 2+1(Picc).2.2.2: 4.2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set).

The Prince of Denmark's March [transcription; Spurious attribution to Purcell as 'Trumpet Voluntary']: Full Orchestra Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Orchestra Library
Publisher: EDWIN F KALMUS
ISBN10: 8-898108-78-8
ISBN13: 979-8-898108-78-6
UPC: 612735681098
SKU: 36-A189501
Instrumentation: 2+1(Picc).2.2.2: 4.2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set)

More about this title

About the Composer: Jeremiah Clarke

Jeremiah Clarke (c. 1674-1707) was an English Baroque composer and organist at St. Paul's Cathedral in London during a pivotal time for English music. Active in the court circles of William III and Queen Anne, Clarke composed instrumental and vocal works that reflected the refined aesthetics of late Baroque England, blending Italian harmonic sophistication with the contrapuntal traditions of his English predecessors.

Clarke's early death at age 33 left a catalog of chamber works, keyboard pieces, and ceremonial music that gained renewed recognition in the 20th century after scholars corrected the long-standing misattribution of The Prince of Denmark's March to Henry Purcell. His surviving compositions reveal a composer with strong command of orchestration and an ear for memorable melodic lines, qualities that ensured his ceremonial works remained part of musical life centuries after his death.

Why we love this

This score offers conductors a ceremonial staple with impeccable musical pedigree and practical orchestration that works across school, civic, and professional ensemble contexts. The Clayton Westermann arrangement respects Clarke's elegant trumpet-and-strings idiom while distributing the texture clearly for modern orchestra, making it accessible for conductors who want ceremony without overcomplication. Its recognition factor is immediate—audiences know this music—yet many hear it fresh when they encounter its actual composer's name.

What to expect

Stately and dignified, The Prince of Denmark's March unfolds with the unhurried grace of a royal processional, its trumpet melody floating above warm string harmonies like ceremonial fanfare softened by candlelight. The piece radiates quiet confidence and formal elegance; there is pageantry here, but it never shouts.

Who it's for

Conductors programming ceremonial concerts, wedding processionals, state occasions, or formal concert openings will find this a natural fit for orchestras of varying sizes and experience levels. The Westermann orchestration suits professional orchestras, college ensembles, and advanced high school orchestras with capable trumpet and string sections.

How to get the most out of it

  • Shape the opening trumpet melody with gentle but clear articulation; the grandeur comes from the supporting harmonic structure, not aggressive attack. Let the strings frame and support rather than compete.
  • Balance the timpani and percussion carefully; these provide rhythmic anchor and ceremonial weight, but the piece's dignity depends on restraint. Reserve full color for climactic moments.
  • Maintain steady, unhurried tempo throughout. The ceremonial character dissolves if the pulse rushes; think procession, not march.
  • Bring out inner string voices where they carry thematic fragments; Baroque scoring often rewards attention to viola and cello lines that modern players sometimes submerge.

How to use it

Open a formal concert with this to establish ceremony and set an elevated tone for what follows. It pairs effectively with other Baroque instrumental works or with contemporary concert music that benefits from a dignified introduction. For community and civic occasions, this piece signals respect for the event while remaining musically substantive.

Skills your students will build

  • Playing sustained Baroque-style phrasing in trumpet and string sections
  • Balancing ceremonial articulation with lyrical melodic line
  • Managing ensemble blend when mixing soloistic trumpet writing with full string sections
  • Understanding historical performance practice in Baroque orchestration
  • Reading and interpreting conductor scores with clear inner voicing

You May Also Like