The Potter's Hand: Choral Instrumental Pak
Arranged by Mark Kellner / Arranged by Lloyd Larson
Item: 35-PK00417417
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Description
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More about this title
About the Arranger: Mark Kellner
Mark Kellner is an accomplished arranger whose work spans sacred and secular repertoire for choral ensembles of all sizes. His arrangements demonstrate a keen ear for voice leading and instrumental sonority, bringing fresh interpretations to beloved hymns and contemporary spiritual songs.
Why we love this
Kellner and Larson have crafted an arrangement that honors the simplicity of the text while layering in instrumental color and harmonic interest. The Pak format means your rhythm section and instrumentalists have exactly what they need to support your singers without hunting through multiple scores.
What to expect
The piece carries the contemplative quality of its text while remaining accessible and singable. Instrumental textures frame the chorus warmly, creating space for both intimate verses and fuller ensemble moments.
Who it's for
This arrangement serves music directors and choir leaders who want instrumental support for a sacred anthem without complicated orchestration. It works equally well for worship settings and concert performances where your ensemble includes at least basic rhythm section instrumentation.
How to get the most out of it
- Balance your choir's tone against the instrumental parts during sectionals; the accompaniment should enhance rather than bury the vocal line.
- Establish a clear pulse with your rhythm section before rehearsing full group; locked timing between drums and bass creates confidence for your singers.
- Shape the melody with intention during transitions between sections; small dynamic shifts in the instruments can guide the ear toward textual emphasis.
- Rehearse your soloists separately with the rhythm section first, then integrate with full instrumentation once their intonation and phrasing are secure.
How to use it
Consider this for spring worship programming or a combined-ensemble concert where your singers need instrumental backing. Its accessible difficulty makes it suitable for rehearsal in January or February and performance by late winter or early spring.
Skills your students will build
- Singing accompanied by rhythm section instrumentation
- Blending vocal and instrumental timbres
- Shaping phrases within an accompanied texture
- Responding to instrumental cues and releases