The Pirates of the Caribbean: The Curse of the Black Pearl: Concert Band Conductor Score & Parts
Featuring The Medallion Calls and He's a Pirate
Arranged by Chris M. Bernotas
Grade: 2.5
Item: 00-PK-0009495
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More about this title
About the Arranger: Chris M. Bernotas

Chris M. Bernotas directs instrumental publications at Alfred Music, where he shapes band and orchestra resources used by programs worldwide. Drawing on more than 25 years in music education, he brings classroom experience directly into his writing, creating works that address what teachers and students actually need.
Beyond his publishing role, Bernotas remains active as a guest conductor, clinician, and composer. He has co-authored several influential pedagogical resources including Sound Innovations Ensemble Development and Sound Artistry, and he regularly presents on conducting and composition at conferences and workshops. His arrangements and original works span from accessible young band literature to advanced concert pieces, all grounded in both musical integrity and educational purpose.
Why we love this
Bernotas captures what makes these iconic themes work without oversimplifying them. The 12/8 meter becomes a teaching opportunity rather than an obstacle, and students stay engaged because they're playing music they actually recognize and care about. This arrangement splits the difference between accessibility and genuine musicianship.
What to expect
Adventurous and propulsive. "The Medallion Calls" draws you in with its mysterious character, while "He's a Pirate" shifts the energy into something driving and swashbuckling. The 12/8 meter adds a forward motion that keeps the music from ever feeling static, even during softer passages.
Who it's for
Middle and high school concert bands seeking material that builds musicianship without talking down to students. Directors programming contests, festivals, or concerts who want pieces that excite performers and audiences alike will find immediate appeal in these recognizable, well-crafted themes.
How to get the most out of it
- Establish the 12/8 pulse early in rehearsal by conducting and counting in four, letting the subdivision click into place gradually rather than forcing it.
- Balance the melodic voices carefully during the theme statements; the familiarity of the tune can mask intonation issues if the band isn't listening vertically.
- Use the rhythmic energy of "He's a Pirate" to build ensemble precision, since the driving figures expose any lag in articulation or ensemble response.
- Record a run-through at performance tempo and listen back as a section; hearing themselves often corrects issues that verbal correction alone won't solve.
How to use it
Program this as a concert opener to energize the audience and your performers, or use it as a contest entry where recognizable themes give judges an immediate foothold while your band demonstrates control and ensemble sound. It works equally well as a festival selection or as part of a themed concert exploring film music arrangements.
Skills your students will build
- Reading and performing in 12/8 meter with secure subdivision
- Balancing independence within ensemble texture
- Articulation clarity in rhythmically driven passages
- Phrasing and dynamic shaping in familiar melodic material
- Listening across the full band for vertical alignment