The Piano Player: Classical Favourites Cover Image

The Piano Player: Classical Favourites:

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The Piano Player: Classical Favourites Cover Image

The Piano Player: Classical Favourites:

By Edward Elgar, Maurice Ravel, Johann Pachelbel, Wolfgang Amadeus Mozart, Ralph Vaughan Williams, Ludwig van Beethoven, Eric Satie, Georges Bizet, Hubert Parry, Claude Debussy, Antonín Dvorák, Edvard Grieg, George Frideric Handel, Frédéric Chopin, Johann

Level: Intermediate

Item: 12-057154200X

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Description
The Piano Player: Classical Favourites presents 20 of the most popular pieces of classical music, specially arranged for intermediate solo piano. Contents include "Eine Kleine Nachtmusik" by Mozart, Fantasia on "Greensleeves" by Ralph Vaughan Williams and "Un bel dì, vedremo" by Giacomo Puccini. The striking cover features Edward Bawden's color linocut Aesop's Fables: Daw in Borrowed Feathers, 1970, and a double-side color print provides the full artwork as a beautiful collectible.

The Piano Player series includes six wonderful collections of some of the greatest classical music ever written, specially arranged for the intermediate pianist, each with its own collectible pull-out poster of the stunning Edward Bawden cover artwork.

 

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Additional Details
Series: The Piano Player Series
Publisher: Faber Music
ISBN10: 0-571-54200-X
ISBN13: 978-0-571-54200-0
UPC: 9780571542000
SKU: 12-057154200X

More about this title

About the Composer: Camille Saint-Saëns

Camille Saint-Saëns (1835, 1921) was a French composer of extraordinary range and technical mastery. He wrote across every major genre, symphonies, concertos, chamber music, opera, and sacred works, while maintaining a melodic gift that made his music immediately accessible to audiences. His facility at the keyboard was legendary; he was an accomplished pianist and organist whose understanding of instrumental writing shaped some of the most performed classical repertoire today.

Saint-Saëns championed new music and younger composers throughout his long career, yet his own works remain cornerstones of the concert hall. His compositional voice balances structural rigor with romantic warmth, making his pieces enduringly rewarding for performers and listeners alike. For pianists, his output offers an especially rich catalog of works suited to developing musicians.

Why we love this

This collection captures the essence of what makes the piano the ideal instrument for exploring the classical canon. The arrangements respect the composers' original intentions while acknowledging what intermediate pianists can realistically achieve, avoiding the trap of oversimplified editions that sacrifice musical substance. Pairing familiar masterworks with lesser-known gems keeps students discovering rather than merely repeating.

What to expect

Opening this collection is like stepping into a gallery of musical snapshots, each one a recognizable moment of brilliance distilled to its essence. The pieces range from intimate lyricism to spirited dance, held together by the clarity and directness that defines classical writing at its best.

Who it's for

Intermediate pianists who want structured exposure to the classical repertory without the technical barrier of untouched originals. Students preparing for recitals or evaluations will find proven, crowd-pleasing material that builds confidence alongside musicianship.

How to get the most out of it

  • Study the original orchestral or chamber versions when available; understanding the source material helps you balance voices and shape phrasing even within a keyboard reduction.
  • Attend to the printed dynamics carefully. These arrangements preserve emotional architecture across 20 distinct works, so honoring the marked crescendos and diminuendos prevents the music from flattening.
  • Where the original calls for sustained orchestral sonorities, use the pedal judiciously to create resonance without muddying harmonic clarity.

How to use it

Use these arrangements as a bridge between early-intermediate etude work and full-length classical sonatas. A single selection works beautifully on a mixed recital, while the collection's span makes it an ideal curriculum text for a semester-long survey of style periods.

Skills your students will build

  • Voicing reduction scores and balancing multiple lines within two hands
  • Stylistic conventions of classical-era melody and accompaniment patterns
  • Pedaling for color and resonance without obscuring harmonic movement
  • Sight-reading across a broad repertory in diverse keys and textures

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