The Piano Player: Christmas Time Cover Image

The Piano Player: Christmas Time: Piano Collection

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The Piano Player: Christmas Time Cover Image

The Piano Player: Christmas Time: Piano Collection

By Traditional / Nat King Cole / Band Aid / Chris Rea / Frank Sinatra / Greg Lake / Tony Bennett / Gustav Holst / Dean Martin / Eric Boswell / Bing Crosby / Franz Xaver Gruber / Jona Lewie

Level: Intermediate

Item: 12-0571543081

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Description
The Piano Player: Christmas Time presents 25 of the best-loved carols and Christmas songs, specially arranged for intermediate piano solo, with lyrics for singing along. Contents include "Have Yourself a Merry Little Christmas," "Away in a Manger," "Do They Know It's Christmas?" and "Little Donkey." The striking cover features Edward Bawden's color linocut The Titfield Thunderbolt, 1952, and a double-sided color print provides the full artwork as a beautiful collectible.

The Piano Player series includes several wonderful collections of some of the greatest classical music ever written, specially arranged for the intermediate pianist, each with its own collectible pull-out poster of the stunning Edward Bawden cover artwork.

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Additional Details
Series: The Piano Player Series
Publisher: Faber Music
Page Count: 64
ISBN10: 0-571-54308-1
ISBN13: 978-0-571-54308-3
UPC: 9780571543083
SKU: 12-0571543081

More about this title

About the Composer: Nat King Cole

Nat King Cole's influence on American popular music extends far beyond his legendary vocal career. His interpretations of jazz standards and Christmas classics shaped how generations of musicians approached melody, phrasing, and emotional restraint. For music educators, Cole's work remains a masterclass in how restraint and clarity serve the song; every note he performed had purpose.

Why we love this

This collection spans genuine holiday classics alongside beloved pop standards, giving pianists real repertoire rather than simplified filler. The intermediate level respects both the material and the player, demanding musicality and control without unnecessary technical fireworks. Your students will actually want to play these pieces because they recognize and love the songs.

What to expect

Nostalgia meets polish. These arrangements invite warmth and sincerity rather than technically showy arrangements. The collection captures what makes Christmas music enduring: memorable melodies paired with straightforward, elegant piano writing that lets the song be the star.

Who it's for

Intermediate pianists ready to tackle a mixed bag of recognizable holiday material without oversimplification. Teachers seeking concert or recital repertoire that connects with audiences of all ages. Students who want to build confidence by performing songs people actually want to hear.

How to get the most out of it

  • Allow the melody to breathe through clear voicing in the right hand, especially during verses. Many of these songs live or die by their lyrical quality.
  • Balance the accompaniment so it supports rather than overwhelms the vocal line you're accompanying or implying.
  • Practice the pieces that double as sing-along vehicles separately from those meant as pure instrumental statements; the approach shifts slightly.
  • Pay attention to tempo consistency across repeated sections. Holiday arrangements often benefit from slight rubato rather than rigid metronomic playing.

How to use it

Build a winter recital around three to five selections from this book, mixing slower songs like "Away in a Manger" with livelier pieces such as "Do They Know It's Christmas?" to create shape and variety. Use the lyric inclusion to pair with student singers in a collaborative concert format. Assign individual pieces throughout December as supplementary repertoire that rewards steady practice with performance-ready results by month's end.

Skills your students will build

  • Accompanying vocalists with appropriate dynamic restraint
  • Recognizing and executing different harmonic colors across multiple musical traditions
  • Sustaining tempo and phrasing through varied melodic textures
  • Reading and performing mid-level left-hand patterns that support rather than distract
  • Interpreting songs with text awareness even when playing instrumentally

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