The Phoenix Sheet Music Preview

The Phoenix: Marching Band Conductor Score & Parts

As performed by Fall Out Boy / Arranged by Tom Wallace

Grade: 3

Item: 35-PK00336464

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$80.00

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Description
By way of the legendary group, Fall Out Boy, comes this Shostakovich inspired alternative rock work that is the Opening Production for the show "Uprising." Bold and impassioned contrasting sections provide inspiring musical and visual program material. This sensational arrangement by Tom Wallace captures all the energy and nuance of this powerful piece. Bold and impassioned contrasting sections provide inspiring musical and visual program material. This sensational arrangement by Tom Wallace captures all the energy and nuance of this powerful piece.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00336464

More about this title

About the Artist: Fall Out Boy

Fall Out Boy emerged from Chicago in the early 2000s as one of pop punk's defining bands, known for crafting anthemic hooks wrapped around intricate instrumental arrangements. Their influence on modern rock extends far beyond their core fanbase; their compositional approach balances accessibility with genuine musical sophistication, making their work compelling source material for educational settings.

Why we love this

Tom Wallace's arrangement taps into what makes Fall Out Boy's writing so effective: the ability to build emotional peaks through orchestration rather than pure volume. For marching programs seeking contemporary material that feels current without sacrificing musical substance, this delivers the visual drama and structural clarity that opens shows with real impact.

What to expect

Propulsive and restless, with the kind of edgy sophistication that bridges alternative rock sensibility and classical compositional depth. The arrangement builds tension through layered textures and unexpected harmonic turns, creating an opening statement that feels both urgent and carefully crafted.

Who it's for

Grade 3 bands with confident rhythm sections and solid intonation habits will thrive with this material. Directors programming contemporary music for competitive circuits or concert series will find a piece that generates genuine audience engagement without compromising musicianship.

How to get the most out of it

  • Balance the contrasting sections by treating them as distinct musical characters rather than simply alternating dynamics. Let each section breathe with its own articulation and phrasing approach.
  • Lock the meter changes early in rehearsals so students internalize the rhythmic shifts without relying on visual cues alone.
  • Pay particular attention to the harmonic movement inspired by Shostakovich's language; those dissonant moments should feel intentional and striking, not uncertain.

How to use it

This works exceptionally well as the first movement of a show or concert designed around contemporary composers and artists. Its energy and structural clarity make it ideal for programs that want to set a modern, forward-thinking tone while still showcasing strong fundamentals.

Skills your students will build

  • Executing seamless section transitions and meter changes
  • Balancing contrasting musical characters within a single work
  • Responding to harmonic language outside traditional major and minor tonality
  • Building collective intensity through dynamic and textural layering

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