The Perfect Start for Solo Playing, Book 1 Cover Image

The Perfect Start for Solo Playing, Book 1: Early Elementary Piano Book

$8.95 USD
Sale price  $8.95 USD Regular price 
Skip to product information
The Perfect Start for Solo Playing, Book 1 Cover Image

The Perfect Start for Solo Playing, Book 1: Early Elementary Piano Book

By Kevin Olson, Julia Olson

Item: 98-FJH2189

$8.95
Shipped

One moment…

Description
The solo pieces in this 36 page book offer sequential reinforcement of the notes beginning students are learning, and introduce students to the concept of playing with expression and style. Students are encouraged to develop artistry as they play variations in dynamics, tempo, pedaling, articulation, and octave shifts. Large note heads and limited use of rests gives this book a clean look and "easy" feel. Teachers can decide to use optional, alternate fingering. Pieces are one or two pages in length, and can be programmed for performance or evaluation.

The Perfect Start for Solo Playing, Book 1: Early Elementary Piano Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: The Perfect Start
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-987-5
ISBN13: 978-1-56939-987-3
UPC: 674398229680
SKU: 98-FJH2189

More about this title

About the Composer: Kevin Olson

Kevin Olson has built a reputation for understanding what early piano students need to succeed. His methodical approach to sequencing and reinforcement reflects years of classroom experience, paired with a genuine commitment to making the learning process feel achievable rather than overwhelming.

Why we love this

This collection respects the reality of beginning piano pedagogy. Each piece reinforces the exact notes students are actively learning, eliminating the frustration of encountering unexpected material. Equally important is the deliberate introduction to expressive playing, which many early books neglect in favor of pure mechanics. The manageable length of each piece (one to two pages) means students finish what they start and leave the lesson feeling accomplished.

What to expect

Clean and approachable, with the satisfying clarity of large noteheads and minimal clutter on the page. These pieces invite experimentation with sound and expression in a way that feels natural and encouraging rather than prescriptive.

Who it's for

Beginning pianists in their first or second year of study who are ready to move beyond pure note-reading into basic musicianship. Teachers looking for material that reinforces current learning while introducing artistic thinking without overwhelming young students.

How to get the most out of it

  • Experiment with dynamics before the student ever sits down. Play through the piece yourself highlighting where natural volume shifts occur, then invite the student to follow your interpretation as a starting point for their own.
  • Treat tempo variations as character choices, not technical challenges. Ask the student what mood they hear in the piece, then let that guide whether they play more slowly or with forward motion.
  • Introduce pedaling gradually. Start by exploring how the sustain pedal changes the resonance of a single chord, then gradually expand its use as the student develops control.
  • Encourage octave shifts as expressive opportunities rather than technical obstacles. A melody played an octave higher or lower becomes a different story; let the student discover that for themselves.

How to use it

Program individual pieces on studio recitals, allowing students to showcase both technical progress and emerging interpretive skills. These works also function well as evaluation tools, giving teachers a clear window into what each student has absorbed about playing with intention.

Skills your students will build

  • Reinforcement of note reading in early positions on the grand staff
  • Introduction to dynamic contrasts (soft/loud, gradual changes)
  • Pedal technique and awareness of sustain
  • Tempo flexibility and expressive phrasing
  • Articulation choices (legato, staccato, connected playing)
  • Basic interpretation and musical decision-making

You May Also Like