The Passage: 2nd B-flat Tenor Saxophone

Goodwin's ballad writing is sophisticated without becoming precious; The Passage gives your ensemble space to breathe while maintaining forward momentum through its rich harmonic language. The soli section (featuring alto 2 with optional flute, trumpet 2, guitar, and piano) creates a natural focal point that lets soloists shine without abandoning the lush ensemble texture, making it as rewarding for your section players as for your feature soloists.

Lush and conversational, like overhearing an intimate jazz moment in a dimly lit room. The alto sax voice sits at the heart of warm, sophisticated harmonies that never feel overwritten; instead, every note seems to belong. This is Goodwin's sensibility as a film composer meeting his big band instincts, creating something both emotionally open and polished.

This chart belongs in the book of experienced jazz ensembles (high school advanced groups and college/professional ensembles). Players need solid harmonic awareness, controlled ballad tone, and the ability to blend within complex voicings; the Grade 6 designation reflects the ensemble maturity and solo facility required, not just technical facility.

• The 74 BPM tempo invites legit phrasing; treat this as a ballad that breathes with genuine lyrical intention rather than rushing toward resolution. Lock the rhythm section's pocket before rehearsing the full ensemble.
• Balance the alto sax melody against the rich harmonic backdrop. This isn't a feature solo drowning in the texture; the writing supports the voice clearly, so allow the melody to sing with confidence while the ensemble provides warm color.
• Shape the ensemble figures with a conductor's beat that mirrors the elastic, conversational quality of modern jazz ballad phrasing. Goodwin's orchestrations reward subtle dynamic choices and ensemble cohesion.
• The soli section benefits from focused solo preparation before full ensemble rehearsal. Each soloist should understand their role within the texture, not as a break-out moment but as a natural extension of the ensemble's voice.

Program The Passage alongside uptempo Goodwin charts to showcase the full range of his ensemble writing, or use it as the centerpiece of a ballad set that highlights your ensemble's maturity and sonic control. It lands naturally in a concert that celebrates modern jazz composition and gives audiences (and your soloists) a moment of genuine lyrical beauty.

• Sustaining legit ballad phrasing at a slow tempo without rushing
• Reading and executing complex jazz harmonies across the full ensemble
• Balancing a featured voice against rich harmonic accompaniment
• Ensemble blend and balance in close-voiced voicings
• Solo preparation and performance within a composed soli section
• Responding to a conductor's beat in free, conversational jazz time