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The Parting Glass: Choral Works (Secular) - Mixed Voices

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The Parting Glass Cover Image

The Parting Glass: Choral Works (Secular) - Mixed Voices

Arranged by Joshua Pacey

Item: 98-EP73540

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Description

A 4-minute gently flowing arrangement by Joshua Pacey of the traditional Irish/Scottish song. Written for unaccompanied SSAATTBB with soprano and tenor solo. Score includes rehearsal piano reduction.

First recorded on VOCES8's 2019 album Enchanted Isle.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN10: 0-57-702179-6
ISBN13: 979-0-5770-2179-9
SKU: 98-EP73540

More about this title

About the Arranger: Joshua Pacey

Joshua Pacey is a British choral composer and arranger whose work has shaped the sound of contemporary a cappella singing, most notably through his long association with the Grammy-nominated ensemble VOCES8. His arrangements balance textural sophistication with singability, drawing on both classical compositional techniques and the intimate dynamics of unaccompanied vocal music.

Why we love this

Pacey's treatment of this beloved traditional tune respects its melodic character while layering it with rich harmonic color and sensitive solo writing. The inclusion of a rehearsal piano reduction makes this octavo genuinely practical to learn, even for groups without access to a separate accompanist, while the final product remains fully unaccompanied and dramatically effective.

What to expect

This arrangement unfolds like a quiet conversation, neither hurried nor sentimental. The traditional melody carries its inherent wistfulness through flowing harmonies that shift beneath it, creating moments of surprising tenderness and depth. The overall effect is intimate and contemplative, inviting the listener into something both familiar and newly revealed.

Who it's for

Mixed choral ensembles with secure intonation and the ability to maintain independent lines. The solo writing and unaccompanied texture demand singers who are comfortable with subtle dynamic control and sustained harmonic listening.

How to get the most out of it

  • Shape the soprano and tenor solos as intimate statements within the fuller sections. These moments should feel like overheard reflection rather than display singing.
  • Balance the eight-part texture by thinking of the arrangement in three layers (sopranos and tenors, altos and basses, then the inner voices) rather than trying to hear all eight lines equally at once.
  • Use the rehearsal piano reduction during learning to anchor harmonic understanding, but allow singers to release dependence on it well before performance so the piece can breathe as true a cappella music.
  • Take time with the gentle pacing. This arrangement asks for restraint and presence rather than momentum, so resist any impulse to push forward.

How to use it

This works beautifully as a second-half piece on a concert that includes larger or more energetic works, offering a chance for the audience to settle into a different emotional space. It pairs well with other traditional repertoire reworked for contemporary ensembles, or as a standalone moment that showcases your ensemble's vocal refinement without demanding elaborate staging.

Skills your students will build

  • Maintaining independent vocal lines in eight-part unaccompanied writing
  • Sustaining ensemble intonation without instrumental support
  • Balancing solo and ensemble texture
  • Shaping phrase contour and dynamic expression in slow, sustained music
  • Reading rehearsal reduction notation to understand harmonic function

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