The Parting Glass Sheet Music Preview

The Parting Glass: SSA Choral Octavo

Arranged by Audrey Snyder

Item: 35-DS00305945

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00305945

More about this title

About the Arranger: Audrey Snyder

Audrey Snyder has built a reputation as a choral arranger who respects the integrity of traditional material while crafting parts that sit naturally in the voice. Her arrangements appear regularly in festival and contest settings, where they're valued for their musicality and accessibility across skill levels.

Snyder's work with folk and traditional songs demonstrates a deep understanding of how to honor source material while creating engaging lines for each voice part. Her arrangements balance artistic merit with practical teachability, making them favorites among directors seeking repertoire that sounds mature without excessive technical demands.

Why we love this

Snyder's treatment of this Irish traditional favorite captures the song's contemplative beauty while giving each voice part genuine musical independence. The arrangement respects the melody's contours and emotional weight, and the supporting parts emerge naturally rather than feeling ornamental. This is the kind of arrangement that feels both substantial and singable, which means your singers will engage with the text and the harmony instead of wrestling with the mechanics.

What to expect

There's a quiet dignity to this arrangement. It carries the weight of tradition and farewell, with warm harmonies that feel gathered and intimate rather than solemn. Singing it creates a sense of shared understanding and respect for the song's origins.

Who it's for

This works for choirs with some blend and balance skills in place. It's ideal for groups performing Irish or Celtic-themed concerts, memorial services, or programs that explore folk traditions across cultures. The SSA/SSAA flexibility also makes it accessible to beginning or intermediate ensembles.

How to get the most out of it

  • Shape the melody with natural speech inflection; this is a folk song, not an art song, so resist the urge to over-phrase or over-romanticize each line
  • Balance the lower voices so they anchor the harmonies without covering the top line; in SSA voicing, the soprano line carries the tune and should remain audible throughout
  • Let the text drive your tempo choices; since this is a traditional farewell song, allow singers to breathe with the poetry and sentiment rather than keeping a metronomic beat

How to use it

Consider opening a concert with this piece; its reflective character prepares an audience emotionally and sets a serious, engaged tone for everything that follows. Alternatively, it serves as a powerful closing number, especially for programs celebrating heritage, community, or meaningful occasions. The moderate length and manageable part complexity make it suitable for both festival performances and regular concert seasons.

Skills your students will build

  • Singing in independent parts without doubling the melody
  • Interpreting text with emotional nuance in a traditional song
  • Balancing blend and intonation in close harmonies
  • Understanding arranging choices in folk music adaptation
  • Sustaining legit tone across a wide range

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