The Next Thing: Concert Band Conductor Score & Parts
By Heather Hoefle
Grade: 1
Item: 98-PK-RWS1806
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| The Next Thing: Score | $8.00 | |
| The Next Thing: 1st Flute | $3.99 | |
| The Next Thing: Oboe | $3.99 | |
| The Next Thing: 1st B-flat Clarinet | $3.99 | |
| The Next Thing: B-flat Bass Clarinet | $3.99 | |
| The Next Thing: Bassoon | $3.99 | |
| The Next Thing: 1st E-flat Alto Saxophone | $3.99 | |
| The Next Thing: B-flat Tenor Saxophone | $3.99 | |
| The Next Thing: E-flat Baritone Saxophone | $3.99 | |
| The Next Thing: 1st B-flat Trumpet | $3.99 | |
| The Next Thing: 1st F Horn | $3.99 | |
| The Next Thing: 1st Trombone | $3.99 | |
| The Next Thing: Baritone B.C. | $3.99 | |
| The Next Thing: Baritone T.C. | $3.99 | |
| The Next Thing: Tuba | $3.99 | |
| The Next Thing: 1st Mallet Percussion | $3.99 | |
| The Next Thing: 1st Percussion | $3.99 | |
| The Next Thing: 2nd Percussion | $3.99 | |
| The Next Thing: 3rd Percussion | $3.99 |
Parts Added to Cart!
Description
Original Item#: RWS-1806-00
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More about this title
Why we love this
Hoefle understands what Grade 1 bands need: a piece that sounds genuinely fun to play without requiring extensive rehearsal time. The clever part writing means every section gets a musical moment, which keeps engagement high across an entire group where skill levels vary considerably. A rock tune at this level is rare enough that your students will actually want to rehearse it.
What to expect
The piece has a swagger and infectious groove that feels nothing like a traditional concert march. With its bluesy melody and rock sensibility, it captures the energy of contemporary popular music while remaining accessible to young players learning fundamental band skills.
Who it's for
This works perfectly for Grade 1 concert bands making their first steps into contemporary styles. The limited note range and straightforward figures mean new readers can focus on tone production and ensemble balance rather than technical struggles. Directors building a repertoire that reflects the music students actually listen to will find this especially valuable.
How to get the most out of it
- Isolate the slur figures in sectionals before full rehearsal. Since slurs are new material here, have each section practice them separately at a moderate tempo, then bring the sections together once the articulation feels secure.
- Lock the rhythmic foundation first. Establish the pulse with percussion and low brass before layering in the melody, so the groove stays steady when all parts combine.
- Encourage articulate tongue attacks on the rock rhythms. The bluesy feel depends on crisp note attacks on the syncopated figures, so avoid letting the style soften into legit classical phrasing.
How to use it
Program this as a contrast piece on a concert featuring traditional concert band literature, or use it as a warm-up that energizes an audience before more serious works. It also serves as a confidence builder mid-rehearsal season when students need a quick win and a chance to play something that feels current.
Skills your students will build
- Slur articulation and legato phrasing
- Reading and performing rock rhythm figures and syncopation
- Part independence with simple imitative writing
- Ensemble balance when multiple parts carry equal musical weight
- Stylistic awareness of contemporary concert band arranging