The Music Tree: Students' Choice, Part 3 Cover Image

The Music Tree: Students' Choice, Part 3: Piano Book

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The Music Tree: Students' Choice, Part 3 Cover Image

The Music Tree: Students' Choice, Part 3: Piano Book

By Frances Clark, Louise Goss, and Sam Holland

Item: 00-00460

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Description
A winning collection of all-time recital favorites to be used with Music Tree 3. The irresistible musical styles cover boogie, blues, ballads, jazz, pop, rock, and ragtime. Composers include Tony Caramia, Jon George, Sam Holland, Scott Joplin, Lynn Freeman Olsen, Elvina Truman Pearce, and Deborah Schwenk.

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Additional Details
Series: The Music Tree
Publisher: Alfred Music
Page Count: 24
ISBN10: 1-58951-004-6
ISBN13: 978-1-58951-004-3
UPC: 654979993865
SKU: 00-00460

More about this title

Why we love this

Students actually want to play these pieces, which means they'll practice them without resistance. The genre variety ensures every student finds something that speaks to their taste, from Scott Joplin's syncopated charm to contemporary pop and rock arrangements that feel current.

What to expect

A jukebox of styles spanning decades and traditions, each piece chosen because it's genuinely fun to play and listen to. The boogie and rock selections have energy and lift; the ballads invite expression; the jazz and blues passages offer a taste of improvisation-inspired writing.

Who it's for

Late-elementary to early-intermediate piano students ready for recital repertoire with personality. Teachers using the Music Tree curriculum will find this collection a natural extension of the method's graded progression.

How to get the most out of it

  • Study the style markers carefully. Boogie and ragtime require crisp articulation and steady left-hand grooves; ballads need breath and phrasing despite being written for solo piano.
  • Record yourself playing the pieces you plan to assign. You'll catch rhythmic ambiguities and identify which ones truly suit each student's technical level before lesson time.
  • Lean into the genre conventions. Blues passages benefit from slight swing feel; jazz selections ask for rubato and sensitivity to the harmonic language.

How to use it

Build a recital program around student choice by letting each performer pick one or two selections from this book. The range of styles also works beautifully for showcase concerts where you want to highlight the breadth of what your students are learning.

Skills your students will build

  • stylistic awareness across boogie, blues, ballad, jazz, pop, rock, and ragtime idioms
  • left-hand accompaniment patterns specific to blues and boogie traditions
  • syncopation and swing interpretation
  • harmonic reading in jazz and blues contexts
  • dynamic control and phrasing in ballad writing
  • confidence performing diverse genres at a single recital

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