The Music of Free Flight, Volume 1 -- Classical Pieces in Jazz Style Cover Image

The Music of Free Flight, Volume 1 -- Classical Pieces in Jazz Style: E-flat Instruments Book & CD

$19.95 USD
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The Music of Free Flight, Volume 1 -- Classical Pieces in Jazz Style Cover Image

The Music of Free Flight, Volume 1 -- Classical Pieces in Jazz Style: E-flat Instruments Book & CD

Free Flight

Item: 00-SB9712CD

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Description
These books are designed to give the jazz musician insight into the improvisation talents of Jim Walker and Mike Garson. Although this material is advanced in nature, young musicians will benefit greatly from listening to and working on these transcriptions from the original Free Flight recordings. The instrumental editions contain all the music and solos by Jim Walker (transposed so each book is compatible), and the piano accompaniment book contains Mike Garson's transcribed solos. Includes play-along CDs.

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Additional Details
Series: The Music of Free Flight
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-0177-6
ISBN13: 978-0-7692-0177-1
UPC: 029156660920
SKU: 00-SB9712CD
Instrumentation: E-flat Instruments

More about this title

Why we love this

This collection bridges classical repertoire and jazz improvisation in a way that demands serious musicianship from your section. Rather than simply playing heads over changes, students engage with transcribed solos from accomplished improvisers, turning listening and analysis into the core of their jazz education.

What to expect

These arrangements transform familiar classical pieces into something fluid and conversational, with the kind of harmonic sophistication and rhythmic elasticity that characterize serious jazz playing. The transcribed solos capture the interplay between Walker and Garson's original recordings, creating a window into how professional musicians think and communicate through improvisation.

Who it's for

Advanced jazz musicians on E-flat instruments who are ready to move beyond lead sheets and study how accomplished improvisers actually construct their solos. This material works best for high school jazz ensemble members or older students with solid sight-reading skills and a foundation in jazz language.

How to get the most out of it

  • Study the recorded solos first without looking at the transcriptions. Train your ear to recognize the phrasing, articulation, and rhythmic nuances that distinguish these performances before you decode them on the page.
  • Use the play-along CD to lock in with the rhythm section. Work slowly at first, focusing on accuracy and intonation before attempting the full tempo and stylistic details.
  • Listen closely to how Walker navigates the changes and shapes phrases across bar lines. Note where he anticipates the harmonic movement and where he lags behind the beat for expressive effect.
  • Mark your part with breath points and strategic rests. These transcriptions are dense, and strategic phrasing will help you execute them cleanly while maintaining the jazz sensibility of the original recording.

How to use it

Feature this material in a jazz ensemble context where students can cycle through the play-along recordings over several rehearsals, building ownership of the solos and internalizing the style. You might also use Volume 1 as a model for analysis in a jazz history or improvisation class, isolating specific phrases or passages to discuss harmonic choices and solo construction.

Skills your students will build

  • Transcription reading and fluent solo execution
  • Recognizing and imitating professional jazz phrasing and articulation
  • Understanding harmonic navigation and chord-tone targeting through real improvised examples
  • Rhythmic precision over swing and straight eighth-note feels
  • Listening discrimination for nuance in jazz performance

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