The Music Makers, Op. 69 for Contralto Solo, Chorus, and Orchestra Cover Image

The Music Makers, Op. 69 for Contralto Solo, Chorus, and Orchestra: Cantata/ Oratorio, Orchestra Accompaniment, Oversized Score

$85.00 USD
Sale price  $85.00 USD Regular price 
Skip to product information
The Music Makers, Op. 69 for Contralto Solo, Chorus, and Orchestra Cover Image

The Music Makers, Op. 69 for Contralto Solo, Chorus, and Orchestra: Cantata/ Oratorio, Orchestra Accompaniment, Oversized Score

By Edward Elgar/ Text by Arthur O'Shaughnessy (1844-1881), whose Ode was set in entirety

Item: 36-A912401OS

$85.00
Shipped

One moment…

Description
Edward Elgar (1857-1934) began work on The Music Makers, Op. 69, a work for solo contralto, mixed chorus, and orchestra, in 1903 and completing it in 1912. It sets the entirety of Ode by Arthur O'Shaughnessy to music, a text that likely appealed to Elgar's sense of an artist's life and relationship to society. (The text begins with, "We are the music makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams.") Perhaps given the kinship he felt to the text, Elgar's music is almost autobiographical in ways, quoting music from some of his own most popular works, including: The Dream of Gerontius, the Violin Concerto, "sea-breakers" from Sea Pictures, "Nimrod" from the Enigma Variations, Symphonies Nos. 1 and 2, the Violin Concerto, Rule, Britannia, and La Marseillaise. Despite the many quotations, most of the music is original. It premiered on October 1st, 1912 at the Birmingham Festival, with Muriel Foster singing the alto solo, and Elgar himself conducting the Festival Chorus and Orchestra. Instrumentation: Alto Solo, Mixed Chorus: 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(2-3): Hp(2).Org: Str (4-4-3-3-3 in set). 11x14 oversized full score.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

The Music Makers, Op. 69 for Contralto Solo, Chorus, and Orchestra: Cantata/ Oratorio, Orchestra Accompaniment, Oversized Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Oversized Score Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563874-3
ISBN13: 979-889-563-8743
UPC: 612735635749
SKU: 36-A912401OS
Instrumentation: Alto Solo, Mixed Chorus: 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(2-3): Hp(2).Org: Str (4-4-3-3-3 in set)

More about this title

About the Composer: Edward Elgar

Edward Elgar (1857-1934) was an English composer whose orchestral and choral works defined the sound of late-nineteenth and early-twentieth-century Britain. Self-taught in many respects, he rose from provincial obscurity to international prominence, earning a knighthood and becoming Master of the King's Musick. His music balances Romantic grandeur with intimate lyricism, and he possessed a gift for memorable melody that made complex forms accessible to both musicians and audiences.

Elgar was deeply engaged with his own creative legacy. The Music Makers, composed over a decade-long period, exemplifies his practice of quoting from and reflecting upon his earlier works. This self-referential approach transformed O'Shaughnessy's Romantic poem into something autobiographical, making the work as much about Elgar's artistic journey as about the universal role of the artist in society.

Why we love this

Few large choral works strike the balance between accessibility and sophistication that Elgar achieves here. The Music Makers rewards singers and audiences with soaring melodies and rich orchestral color, yet the embedded quotations from his greatest works create layers of meaning that deepen with familiarity. Programming this allows you to explore Elgar's compositional voice across his entire output in a single performance.

What to expect

The Music Makers unfolds like a dream remembered in waking life. It begins with hushed, almost mystical beauty before building to declarations of artistic purpose and human connection. The orchestration breathes with Romantic opulence, and the alternation between the soloist's intimate reflections and the chorus's affirmations creates a sense of individual voice in dialogue with collective human experience.

Who it's for

This oversized score is essential for conductors of professional and advanced amateur orchestras, university choral programs, and festival ensembles capable of managing a large mixed chorus and full orchestra. The work demands a mature contralto soloist with substantial operatic or concert experience and the stamina to carry a demanding solo role through an extended work.

How to get the most out of it

  • Balance the alto solo against the chorus throughout; the soloist should sing with projection and warmth, but the mixed chorus must never disappear into accompaniment, particularly in the powerful opening sections.
  • Pay close attention to the poetry's pacing. O'Shaughnessy's text moves between dreamy introspection and declarative confidence. Let the music follow the emotional arc of the verse rather than treating each section as metrically uniform.
  • The orchestral quotations should emerge clearly without stopping the flow. Rehearse the orchestra and chorus to understand which instruments carry the thematic echoes from Elgar's other works; this awareness helps players shape their entries with purpose.
  • Honor the work's breadth of dynamic range. The score moves from intimate, almost chamber-like passages to grand, full-orchestra climaxes. Conductors must build transitions thoughtfully to sustain momentum across the work's considerable length.

How to use it

The Music Makers works best as the centerpiece of a concert celebrating Elgar's choral legacy or as a season-closing statement in a major music festival. Its length and emotional scope make it a natural anchor for a program that might include smaller Elgar choral works or orchestral pieces, allowing audiences to experience the quotations in context.

Skills your students will build

  • Conducting mixed chorus with orchestra in a large-scale form
  • Balancing solo voice with full chorus and orchestral accompaniment
  • Interpreting Romantic poetry through musical expression and phrasing
  • Recognizing and executing Elgar's orchestral color and instrumental independence
  • Managing ensemble cohesion across an extended work with multiple large sections

You May Also Like