The Mountain Cover Image

The Mountain: Concert Band Conductor Score & Parts

$77.00 USD
Sale price  $77.00 USD Regular price 
Skip to product information
The Mountain Cover Image

The Mountain: Concert Band Conductor Score & Parts

As Performed by Trans-Siberian Orchestra (Based upon "Mars, the Bringer of War" from The Planets by Gustav Holst / "In the Hall of the Mountain King" by Edvard Grieg)

Music by Paul O'Neill and John Oliva / arr. Bob Phillips, orch. Bob Phillips and George Megaw

Grade: 3 (Medium Easy)

Item: 00-46634

makemusic Cloud badge

Need it now?

Buy Digital Version
$77.00
Shipped

One moment…

Description
Great for the holidays like all TSO pieces---yet based on classical music, so also fitting for any pops concert! Based upon "Mars, the Bringer of War" from The Planets by Gustav Holst and "In the Hall of the Mountain King" by Edvard Greig, this energetic setting of beloved favorites will rock your concert. Includes optional electric guitar, electric violin, electric bass, percussion, and piano parts. For a great opener or closer, this piece can be combined with the string arrangement by the same name (00-46697) for a joint performance. A compelling and unique addition to your holiday program or any pops concert.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Mountain: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 276
UPC: 038081539492
SKU: 00-46634

More about this title

About the Composer: Paul O'Neill

Paul O'Neill is a composer and founding member of the Trans-Siberian Orchestra, the progressive rock band known for blending classical music with contemporary concert production. His arrangements and compositions for TSO have reached millions of listeners worldwide, combining symphonic elements with rock instrumentation in ways that appeal to both classical and popular music audiences.

O'Neill's work in adapting classical masterpieces for modern ensembles demonstrates a distinctive approach to musical storytelling. His scores balance accessibility with musical substance, making complex classical forms engaging for contemporary audiences while maintaining respect for the original compositional intent.

Why we love this

This arrangement captures the theatrical energy of TSO's signature sound while remaining playable by a Grade 3 band. The integration of optional rock instrumentation (electric guitar, electric violin, electric bass) allows bands to scale the piece to their instrumentation without losing impact, and pairing it with the string arrangement (00-46697) opens the door to genuinely exciting cross-ensemble collaboration.

What to expect

A collision of classical grandeur and modern rock swagger. The piece crackles with forward momentum, drawing listeners into the ominous march of Holst before pivoting to the driving intensity of Grieg's famous theme. Played with commitment, it's genuinely electrifying.

Who it's for

Concert bands in Grades 3-5 seeking a high-energy opener or closer that works equally well in holiday and pops contexts. Directors who want to engage audiences with recognizable classical themes reimagined through a contemporary lens will find this piece delivers both musical substance and audience connection.

How to get the most out of it

  • Balance the optional electric instruments carefully; they should enhance rather than overpower the core concert band sound. During rehearsals, experiment with levels to find the sweet spot where the rock elements support the symphonic foundation.
  • Lock the rhythmic groove in your rhythm section early. The driving pulse borrowed from "Mars, the Bringer of War" needs precision to land with full force; your percussion and any participating electric bass player should rehearse together as a cohesive unit.
  • Shape the melodic lines drawn from "In the Hall of the Mountain King" with clear phrasing even at energetic tempos. The audience will recognize the source material best when the melody sings through the surrounding texture.
  • Use the conductor score's full instrumentation map to plan which optional parts serve your ensemble. A band without electric instruments remains effective; additions amplify the dramatic payoff.

How to use it

Program this as a concert opener to set an energized tone, or close your winter pops concert with its sustained dramatic build. The optional string arrangement pairing creates a powerful programming option for schools with both band and orchestra; consider a joint performance that showcases both ensembles in a single showstopping moment.

Skills your students will build

  • Rhythmic precision in rock and contemporary idioms
  • Dynamic control across a wide range of musical textures
  • Reading and executing optional instrumental parts
  • Balancing symphonic and popular musical styles
  • Executing clear melodic phrasing at brisk tempos

You May Also Like