The More I See You Cover Image

The More I See You: SATB divisi, <i>a cappella</i> Choral Octavo

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The More I See You Cover Image

The More I See You: SATB divisi, a cappella Choral Octavo

Lyrics by Mack Gordon, music by Harry Warren / arr. Paul Langford

Item: 00-42800

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Description
Originally released in 1945, this standard continues to touch hearts. Langford's advanced vocal jazz setting, dividing into multiple voice parts, really brings the melody and lyrics to life. Worth the rehearsal time!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The More I See You: SATB divisi, a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081483856
SKU: 00-42800

More about this title

About the Composer: Harry Warren

Harry Warren (1893-1981) was one of Hollywood's most prolific songwriters, composing over 800 songs for film and stage throughout his career. His melodies are characterized by singability and emotional directness, qualities that have kept standards like "The More I See You," "That's Amore," and "Chattanooga Choo Choo" in the repertoire for nearly a century.

Warren's gift lay in writing songs that work equally well in intimate settings and grand productions. His collaborations with lyricists like Mack Gordon and Al Dubin produced some of the most enduring American popular songs, many of which continue to serve as excellent material for jazz and pop choral arrangers.

Why we love this

Paul Langford's arrangement captures the warmth and sophistication of this 1945 standard while honoring its jazz heritage. The divisi voicing creates genuine harmonic depth without sacrificing the lyrical beauty that made the original so memorable, giving your singers a chance to inhabit a classic tune with modern choral texture.

What to expect

Langford's setting wraps you in lush, close harmonies that deepen the song's romantic sensibility. The divisi texture creates an intimate soundscape, like listening to the standard through a haze of warm, sophisticated vocal color that feels both timeless and alive.

Who it's for

This arrangement works best with intermediate to advanced choirs that have experience with jazz idioms and comfortable ensemble blend. Singers need strong intonation skills and the ability to balance divisi writing, making it ideal for select choirs, community vocal groups, or strong high school ensembles.

How to get the most out of it

  • Establish the vocal jazz feel from the first rehearsal. The phrasing and rhythmic flexibility that define this style emerge only when singers understand they're navigating swing inflections, not classical legit singing.
  • Balance the divisi sections carefully during early rehearsals so all voice parts hear their individual melodic lines. Once singers own their material, blend becomes natural.
  • Shape phrases through dynamic contours rather than tempo changes. The arrangement's harmonic movement is rich enough to carry the song forward without rubato.

How to use it

Program this as a feature on a mixed concert or as part of a standards-focused set. Its length (12 pages) makes it substantial enough to anchor a segment, and its a cappella format means it transitions easily between larger ensemble pieces without requiring instrumental accompaniment.

Skills your students will build

  • Jazz phrasing and swing articulation
  • Singing in divisi SATB texture with independent melodic lines
  • Intonation and blend in close harmonies
  • Interpreting harmonic complexity across voice parts
  • Reading and performing a cappella vocal jazz arrangement

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