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The Monster in the Maze (English vocal score): Opera Vocal Scores

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The Monster in the Maze (English vocal score) Cover Image

The Monster in the Maze (English vocal score): Opera Vocal Scores

By Jonathan Dove

Item: 98-EP72666A

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Description

Jointly commissioned by the London Symphony Orchestra, Berlin Philharmonic and Festival Aix-en-Provence, 'The Monster in the Maze' was composed by Jonathan Dove to a libretto by Alasdair Middleton, with German and French translations by Arne Muus ('Was lauert da im Labyrinth?') and Alain Perroux ('Le Monstre du labyrinthe') respectively. The piece is scored for three professional soloists and a professional actor, adult community chorus, youth chorus, children's chorus, and an orchestra of professional players playing alongside young or pre-professional players. Edition Peters vocal score of the English language version.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 128
ISBN10: 0-57-700986-9
ISBN13: 979-0-57-700986-5
SKU: 98-EP72666A

More about this title

About the Composer: Jonathan Dove

Jonathan Dove is a British composer whose work spans opera, choral music, and instrumental genres with particular strength in writing for mixed-ability ensembles. His compositional voice combines accessibility with genuine musical substance, making him a distinctive figure in contemporary opera that bridges professional and community musicians.

Dove's commissions from major European institutions reflect his reputation for creating works that engage performers at multiple skill levels without compromising artistic integrity. His operas and choral works are performed regularly in educational and professional settings across the UK and Europe.

Why we love this

The Monster in the Maze demonstrates Dove's rare gift for writing music that functions equally well for professional soloists, adult volunteers, and young singers without ever feeling compromised. The libretto by Alasdair Middleton brings wit and theatrical sophistication to a story that engages audiences of all ages, while the orchestration balances experienced players with developing musicians in a way that feels genuinely integrated rather than patronizing.

What to expect

The music balances theatrical directness with contemporary harmonic language, creating an accessible but sophisticated soundworld. Audiences experience both the drama of professional singing and the genuine warmth of community participation, while the orchestral writing provides rich support without overshadowing the human voices at its center.

Who it's for

Conductors and artistic directors planning productions involving professional singers, adult community choirs, youth ensembles, and children's choirs in a unified dramatic work. This score suits organizations with resources to mount a full operatic production and the flexibility to engage musicians across skill levels within the same ensemble.

How to get the most out of it

  • Establish clear vocal lines early in rehearsals with your professional soloists, then layer in the community and youth choruses. The momentum of the piece depends on secure ensemble singing across all voice parts, and letting experienced singers model the style accelerates this process.
  • Pay close attention to Dove's text setting. His phrase shapes often follow natural speech patterns; rushing through syllables undermines the theatrical clarity that makes this opera work for audiences unfamiliar with contemporary music.
  • Schedule extra rehearsal time with the children's chorus if your production includes them. While the writing is genuinely singable, young singers need concrete preparation around rhythm and pitch security in passages where they interact with the larger ensemble.
  • Balance the energy demands across rehearsal days. This score requires sustained focus from all voice parts, so plan shorter, focused rehearsals over many weeks rather than marathon sessions that lead to fatigue and careless singing.

How to use it

Position this as a flagship community opera project that draws local media attention and involves multiple constituencies (schools, amateur choirs, professional soloists) in a single evening. The scale and commissioning history make it a natural centerpiece for a season, particularly in spring when many amateur ensembles are at performance readiness.

Skills your students will build

  • Singing in contemporary harmonic language with clear diction
  • Coordinating ensemble singing across mixed-ability voice parts
  • Maintaining theatrical presence while managing complex rhythmic and melodic material
  • Integrating children's, youth, and adult voices in unified dramatic contexts

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