The Middle (arr. Mac Huff) Sheet Music Preview

The Middle (arr. Mac Huff): SAB Choral Octavo

As performed by Zedd, Maren Morris Grey / Arranged by Mac Huff

Item: 35-DS00421804

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00421804

More about this title

About the Artist: Zedd, Maren Morris Grey

Zedd is a Russian-born electronic music producer and songwriter who has become one of pop music's most influential voices in the 2010s. His collaborations span multiple genres, blending electronic production with pop sensibilities in ways that reach both radio audiences and serious musicians. Maren Morris is a singer-songwriter from Texas whose country-pop crossover appeal and distinctive vocal tone have made her a fixture on contemporary charts. Together with Grey, they created a track that demonstrates how modern pop songwriting can translate effectively to choral voicing without losing its emotional core.

Why we love this

Mac Huff has arranged this contemporary hit in a way that respects the original's production and emotional arc while making it genuinely singable for three-part ensembles. Your singers will recognize the song immediately, which builds engagement from day one, and the arrangement gives each voice part satisfying melodic material rather than relegating anyone to a filler role.

What to expect

Modern, reflective, and emotionally direct. The arrangement maintains the song's intimate quality while giving the ensemble room to create something larger than a solo performance, resulting in a piece that feels both familiar and freshly interpreted.

Who it's for

Choirs looking to program current pop repertoire that engages singers and audiences alike. This arrangement works for high school and community choirs seeking accessible contemporary material with genuine musical substance.

How to get the most out of it

  • Balance the interplay between parts carefully in the verses; the arrangement likely features layered harmonic textures that need clarity rather than blend.
  • Pay attention to the rhythmic precision of any syncopated moments, as these will define the contemporary feel and should sit confidently in the groove.
  • Shape the emotional trajectory across all 11 pages so the arc lands with impact; this isn't a piece that benefits from a consistent dynamic level throughout.

How to use it

Consider this for a pop or contemporary music set, or as a way to bridge traditional concert programming with material your singers care about outside rehearsal. Its contemporary radio recognition makes it particularly effective as an audience connector in mixed-genre concerts.

Skills your students will build

  • Contemporary pop phrasing and interpretation
  • Three-part harmony voicing and balance
  • Reading and performing syncopated rhythmic figures
  • Sustaining emotional storytelling across a longer form

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