The Many Moods of Christmas: Suite No. 1: Concert Band Conductor Score & Parts
By Robert Russell Bennett / By Robert Shaw / Arranged by R. Mark Rogers
Grade: 4
Item: 35-PK01469043
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About the Composer: Robert Russell Bennett
Robert Russell Bennett (1894–1981) was one of the most prolific and versatile American composers of the twentieth century. A master of orchestration and arrangement, Bennett wrote across every conceivable ensemble and genre, from Broadway musicals to symphonies to film scores, and his gift for idiomatic writing made him equally comfortable adapting material for any instrumentation.
Why we love this
Bennett's gift for narrative structure shines here: this suite takes you on a genuine journey rather than simply stringing together carols. The Sinfonia sets a grand opening, and the arrangement of these five beloved hymns respects their emotional weight while giving the band fresh harmonic colors and textural variety that keep the ear engaged across eight minutes.
What to expect
Festive yet reverent, this suite balances pageantry with genuine musical substance. Bennett's orchestrations treat each carol with respect while adding harmonic depth and orchestral sophistication that makes these familiar melodies feel refreshed, creating a program that audiences will find both comforting and genuinely engaging.
Who it's for
This suite is ideal for concert bands looking to program substantial, musically coherent Christmas repertoire that challenges the ensemble without requiring a massive scale. It works equally well for Grade 4 community bands, high school ensembles seeking to expand beyond lighter holiday fare, and college wind bands wanting a polished concert opener.
How to get the most out of it
- Balance the sinfonia fanfare so the brass opening commands attention without overwhelming the ensemble; this sets the ceremonial tone that carries through the entire work.
- Lean into the harmonic sophistication Bennett brings to Silent Night and Pat-a-pan. These aren't simple organ-voicing arrangements, so let the woodwind counterlines sing clearly.
- Shape Good Christian Men, Rejoice with clear phrase architecture; the hymn tune can feel square if you don't give the melodic line room to breathe between sections.
- Attack the O Come, All Ye Faithful finale with rhythmic precision and building energy. Bennett's textures stack intelligently, so resist the urge to rush; let the momentum come from clear ensemble articulation.
How to use it
Use this as your holiday concert centerpiece or anchor the first half of a winter concert. Its length and emotional arc make it substantial enough to stand alone, yet it pairs beautifully with a single lighter work or shorter encore. The progression from festive fanfare through quiet reflection to jubilant finale gives you a complete dramatic arc without needing additional pieces to frame it.
Skills your students will build
- Harmonic analysis of reharmonized hymn tunes
- Part independence within dense ensemble textures
- Balancing melodic clarity with accompaniment figuration
- Controlled dynamic shaping across longer phrases
- Sectional coordination in staggered tutti passages