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The Manchester Carols: SATB Choral Vocal Score

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The Manchester Carols Cover Image

The Manchester Carols: SATB Choral Vocal Score

A Re-Telling of the Christmas Story

By Carol Ann Duffy and Sasha Johnson Manning

Item: 12-0571521215

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Description
The story of the birth of Jesus is a remarkable one on many levels---whether we see it as an account of the divine made human or simply as a tale of human endeavor. These carols celebrate a child's birth in exceptional circumstances, and what that child was to become: a man who loved his fellow humans and who lived by a humble, selfless creed, championing the marginalized in a society in which life was fraught with political tensions. These carols are for everybody: for the believer and non-believer, for people of various faiths, and simply for the curious.

Instrumentation: 2 flutes, 2 treble recorders, oboe, clarinet (B-flat), bass clarinet, percussion, harp, piano, and strings.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-52121-5
ISBN13: 978-0-571-52121-0
SKU: 12-0571521215
Instrumentation: Orchestra/Piano

More about this title

About the Composer: Sasha Johnson Manning

Sasha Johnson Manning is a British composer whose work spans sacred music, choral literature, and orchestral composition. Her writing is marked by lyrical clarity and dramatic storytelling, bringing contemporary sensibility to traditional choral forms.

Why we love this

Manning's approach to the nativity story strips away sentimentality without sacrificing warmth. She writes for SATB with genuine harmonic substance, and the orchestration (flutes, recorders, oboe, clarinet, bass clarinet, harp, strings, percussion, and piano) creates a soundworld that feels both accessible and sophisticated. This is choral music that respects both the singers' capabilities and the listeners' intelligence.

What to expect

The score moves between intimate, chamber-like moments and fuller orchestral textures that feel both contemporary and timeless. Manning's harmonic language is rooted but not predictable; the work breathes with genuine emotional weight when the story is told with care.

Who it's for

Choirs with secure SATB balance and some orchestral collaboration experience. This work suits university choirs, advanced community choirs, and church choirs seeking repertoire that engages both faithful and secular audiences. The vocal writing is grateful without being simplistic; the orchestration demands musicians who can shape musical lines rather than simply read notes.

How to get the most out of it

  • Balance the recorder and flute lines carefully in the upper registers; they can easily overpower the choir if not managed dynamically.
  • Work the diction as an ensemble choice, not individual clarification. The text matters here, and unified consonant placement across all four voice parts will sharpen the message.
  • Use the piano or harp as your touchstone for intonation in rehearsal; the harmonic language requires precise tuning, particularly in slower sections.

How to use it

This is substantial enough to anchor a winter concert on its own or to serve as the choral centerpiece in a longer Christmas program. It works beautifully paired with shorter carols or as part of a thematic concert exploring how different composers have reimagined the nativity story.

Skills your students will build

  • Reading SATB parts with sophisticated harmonic language
  • Ensemble balance across mixed choir and orchestra
  • Text-driven interpretation and diction in a contemporary sacred context
  • Sustaining musical line and phrasing across longer choral works

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