The Man I'm Supposed To Be (from As You Like It): Piano Vocal
The Man I'm Supposed To Be (from As You Like It) Sheet Music Preview

The Man I'm Supposed To Be (from As You Like It): Piano Vocal

As performed by Shaina Taub

Item: 35-DS00466596
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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00466596

More about this title

About the Artist: Shaina Taub

Shaina Taub is a composer and lyricist whose work spans Broadway, opera, and concert music. Her compositions are known for their harmonic sophistication, lyrical clarity, and ability to deepen character development through music. Taub's approach to song writing emphasizes the specificity of language and emotional truth, making her work particularly valuable for singers and musicians studying contemporary musical theater craft.

Why we love this

This song captures the vulnerability of self-doubt in a way that feels both theatrical and intimate. The writing gives singers room to inhabit conflicting emotions, making it an excellent choice for teaching how contemporary composers layer emotional complexity into deceptively simple storytelling.

What to expect

Introspective and searching, with the quiet intensity of someone wrestling with identity and expectation. The song sits in that honest space where performance meets genuine vulnerability, offering singers a chance to connect with the character's internal conflict.

Who it's for

Voice students and singers preparing audition material or exploring contemporary musical theater repertoire. This piece suits intermediate to advanced singers who are ready to engage with subtle emotional storytelling and modern harmonic language.

How to get the most out of it

  • Balance the introspective lyrical content with the harmonic language; resist over-singing early phrases that set up the song's emotional arc.
  • Listen carefully to how the accompaniment supports or comments on the vocal line, as modern musical theater frequently uses the piano part to suggest subtext.
  • Work with the rubato and phrasing marks to find moments where the character breathes between thoughts rather than pushing through full measures.

How to use it

Program this in a musical theater solo concert or as part of a themed recital exploring modern song writing. It pairs well with other contemporary musical theater pieces that prioritize character development and emotional specificity over spectacle.

Skills your students will build

  • Contemporary harmonic language and how it reflects emotional subtext
  • Navigating rubato in modern vocal music
  • Character development through subtle vocal choices rather than broad theatrical gestures
  • Interpretation of lyrical ambiguity and conflicting emotions

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