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The Man I Love: Full Orchestra Conductor Score & Parts

$90.00 USD
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The Man I Love Cover Image

The Man I Love: Full Orchestra Conductor Score & Parts

For Orchestra

By George Gershwin / arr. Tom Myron

Item: 36-A927390

$90.00
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Description
The Man I Love is a classic American standard with music by George Gershwin and lyrics by his brother Ira. It was originally part of the 1924 score for the Gershwin musical comedy Oh, Lady, Be Good!. The song was deleted from that show and put into the Gershwins' 1927 government satire Strike Up the Band, where it appears as both The Man I Love and The Girl I Love. Popular recordings in 1920s were by Marion Harris; Sophie Tucker; Paul Whiteman & His Orchestra (vocal by Vaughn De Leath); and by Fred Rich and His Orchestra (vocal also by Vaughn De Leath). As with many standards from that era, it has become far more famous as a stand-alone popular song than as one from a Broadway musical. This symphonic arrangement of The Man I Love by Tom Myron is based on George Gershwin's original piano-vocal and solo piano versions of the song. The style of orchestration is meant to strongly evoke the symphonic world of pre-War Broadway and Golden Age Hollywood.

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Additional Details
Series: Kalmus Signature Edition
Publisher: Keiser Productions, Inc.
UPC: 735816190576
SKU: 36-A927390
Instrumentation: Full Orchestra

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged popular song, jazz idioms, and concert music with an ease that few composers have matched. His gift for melody and harmonic sophistication made him a central figure in American music during the 1920s and early 1930s, whether writing for Broadway, Hollywood, or the concert hall. Gershwin's orchestral works and vocal standards remain foundational to music education because they teach students how popular sensibility and classical craft can coexist.

As a pianist and composer, Gershwin understood orchestration from the inside; his arrangements and those created from his works by later musicians reveal an instinctive understanding of instrumental color and voice leading. His early death cut short a remarkable trajectory, but his output has only grown in cultural significance and pedagogical value.

Why we love this

Tom Myron's orchestration captures the lush, nostalgic world of 1920s Broadway without sacrificing the song's emotional directness. This is sophisticated enough for serious orchestral ensembles yet remains immediately accessible, making it a rare piece that works equally well in a concert hall or as a centerpiece for a pops program. The orchestration reveals why this standard has endured: the melody is singable, the harmony is rich, and the overall sound is unmistakably American.

What to expect

This orchestration wraps you in the warmth of a 1920s movie palace, with sweeping strings and subtle shimmer from the harp and woodwinds. The melody emerges with a kind of wistful elegance, supported by harmonies that shift between melancholy and hope. There's an inherent sophistication in the sound that reflects both Gershwin's gift for melody and the golden age of American musical theater.

Who it's for

Orchestras working at the high school, college, and professional level will find this arrangement sits comfortably in the contemporary orchestral repertoire. Conductors seeking to program American standards alongside classical or contemporary works will value how this piece demonstrates vernacular craftsmanship at its finest. The combination of accessibility and musical substance makes it ideal for audiences who might be new to concert music.

How to get the most out of it

  • Balance the melody line across the orchestration; Myron's arrangement gives it to different choirs at different moments, so ensure each instrumental section projects without overpowering.
  • Shape phrases as a vocalist would, with natural breathing points and subtle dynamic swells that honor the song's lyrical nature.
  • Keep the tempo steady and unhurried; this piece asks for warmth and reflection rather than drive, so resist the temptation to push forward.
  • Pay attention to the woodwind and brass writing in the accompaniment; these inner voices carry harmonic color that defines the piece's character.

How to use it

Program this as a standalone piece or as part of a themed concert celebrating American songbook classics. It pairs naturally with other Broadway or Hollywood-era standards arranged for orchestra, or it can provide a lyrical contrast within a mixed repertoire concert. The piece also works well as an encore or as a bridge between classical and contemporary segments of a pops concert.

Skills your students will build

  • Balancing melody and accompaniment across multiple instrumental choirs
  • Phrasing and shaping a popular melody with vocal sensibility
  • Understanding orchestration techniques from the Golden Age of Broadway and Hollywood
  • Conducting sustained, lyrical passages with minimal tempo fluctuation
  • Reading and conducting full orchestra scores with mixed meters and instrumental doublings

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