The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack) Sheet Music Preview

The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): Concert Band Conductor Score & Parts

Featuring: The Vinciguerra Affair / Bugs, Beats, and Bowties / We Have Location

Music by Daniel Pemberton / arr. Victor López

Grade: 2.5 (Easy to Medium Easy)

Item: 00-PK-0007167

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The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): Score $10.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): Flute $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): Oboe $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): Bassoon $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 1st B-flat Clarinet $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 2nd B-flat Clarinet $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): B-flat Bass Clarinet $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): E-flat Alto Saxophone $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): B-flat Tenor Saxophone $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): E-flat Baritone Saxophone $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 1st B-flat Trumpet $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 2nd B-flat Trumpet $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 1st F Horn $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 1st Trombone $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): Baritone T.C. $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): Baritone B.C. $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): Tuba $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): Mallets $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 1st Percussion $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 2nd Percussion $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 3rd Percussion $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): Timpani $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): Piano Accompaniment $3.00
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): Electric Bass $3.00

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Description
This exciting medley is guaranteed to make students and audiences feel as if they are in the middle of the chase to save the world. So get going and join the United Network Command of Law and Enforcement mission! Suitable for junior high and high school, three exciting tunes are joined to create this epic film score recreation that will provide an espionage adventure from beginning to end. (4:00)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Sample Video
Additional Details
Series: Pop Young Band
Publisher: Alfred Music
Page Count: 284
SKU: 00-PK-0007167

More about this title

About the Composer: Daniel Pemberton

Daniel Pemberton is a British film composer who has scored major motion pictures and television productions, bringing propulsive energy and sophisticated orchestration to his work. His film scores combine accessible melodic writing with intricate harmonic language, making his music particularly rewarding for student ensembles to perform and audiences to experience.

Why we love this

Victor López's arrangement captures the cinematic drive of Pemberton's score while keeping the ensemble demands accessible for junior high and high school bands. The medley structure gives you three distinct musical moments to work with, each offering different textural and rhythmic challenges that keep both students and audiences engaged across a substantial 4-minute runtime.

What to expect

This medley pulses with the urgency of an international espionage mission. You'll hear sleek orchestral writing layered over driving rhythms, sudden dynamic shifts that build tension, and melodic hooks designed to stick in listeners' ears long after the final note.

Who it's for

Concert bands at the junior high and high school level will find this Grade 2.5 arrangement accessible without feeling simplified. Students who respond to contemporary film music and cinematic storytelling will be especially invested in nailing the dramatic gestures and maintaining the pacing that makes spy thrillers work.

How to get the most out of it

  • Lock in the rhythmic precision of the spy-thriller material in the opening section. The momentum depends on tight ensemble attacks and releases, not just tempo.
  • Balance the melody across your instrumentation so that the main themes cut through. In film scores, these tunes carry narrative weight; students need to hear where the story is going.
  • Shape each of the three tunes distinctly in rehearsal so the transitions feel intentional rather than arbitrary. Mark the sectional boundaries clearly in your score and parts.
  • Attend to the dynamic contrasts Pemberton built into this score. The espionage genre thrives on sudden shifts between tension and action; exaggerate them slightly.

How to use it

Consider placing this as a centerpiece in a concert built around film scores or contemporary classical music. The 4-minute duration and high energy make it an excellent bridge between lighter entertainment repertoire and more substantial concert works, or pair it with other spy-thriller or action-adventure themed pieces for a thematic concert.

Skills your students will build

  • Maintaining consistent pulse and tempo across multiple distinct sections
  • Balancing melody and accompaniment in contemporary orchestral writing
  • Dynamic contrast and shaping within a propulsive score
  • Sectional coordination and ensemble precision in medley-style arrangements

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