The Maid of the Mist Cover Image

The Maid of the Mist: Brass Choir Score & Parts

$30.00 USD
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The Maid of the Mist Cover Image

The Maid of the Mist: Brass Choir Score & Parts

By Herbert L. Clarke / arr. David Marlatt

Level: Medium-Difficult

Item: 81-BC19119

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Description
This fun, light piece is a great showpiece for the cornet. It is named after the sight-seeing boats for tourists in Niagara Falls. Set as a polka, there is much opportunity for the soloist to display quick fingers and light triple tonguing.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-655-3
ISBN13: 978-1-77157-655-0
UPC: 685462026562
SKU: 81-BC19119

More about this title

About the Composer: Herbert L. Clarke

Herbert L. Clarke stands as one of the great cornet virtuosos of the early 20th century, equally celebrated for his technical mastery and his ability to write idiomatic music for brass instruments. His compositions and arrangements became staples of brass bands and concert ensembles because they demanded everything from performers: precise articulation, secure high register, and the kind of musical maturity needed to balance display with taste.

Clarke's legacy rests on pieces that remain genuinely playable across skill levels while never compromising on musical substance. Teachers and directors still turn to his work because his writing respects both the capabilities and the musicality of brass players.

Why we love this

This is quintessential Clarke: a piece that sounds brilliant on stage without overselling itself musically. The polka framework feels fresh at the brass quintet or choir level, and the cornet writing sits comfortably in its sweet spot rather than chasing extremes. Audiences consistently respond to the lightness and energy, making this an efficient programming choice for ensembles that want to showcase virtuosity without dedicating an entire concert to technical display pieces.

What to expect

Bright, propulsive, and genuinely fun. The polka character brings an unpretentious charm, while the cornet's fleet passagework shimmers over a solid brass foundation. There's a sense of forward motion throughout, with the kind of lift you get from well-executed dance music.

Who it's for

Brass quintet and choir ensembles at the medium-difficult level, particularly those with a confident cornet soloist who can manage articulation clarity and line continuity. This works for groups preparing for competition or those seeking a crowd-pleasing concert piece that still demands real musicianship.

How to get the most out of it

  • Establish a crisp articulation style early in sectional rehearsals; the triple-tonguing passages depend on clarity and snap rather than volume.
  • Balance the soloist forward just enough that the rapid figurations register without losing the ensemble's rhythmic cohesion underneath.
  • Shape the cornet line with a sense of conversational phrasing, treating the quick passages as spirited statements rather than mechanical runs.
  • Let the polka rhythm breathe; precision matters more than rushing, and a relaxed tempo often feels faster and more energetic than a stretched one.

How to use it

Pair this with contrasting lyrical work earlier in the concert to let it shine as a showstopper in the second half. It's equally at home on a pops program or a more traditional concert, and its moderate length makes it excellent for festival competitions where you need impact without exhausting your ensemble.

Skills your students will build

  • Triple tonguing and rapid single-tonguing articulation
  • Maintaining line clarity and phrasing at quick tempos
  • Balancing soloist projection with ensemble accompaniment
  • Polka rhythm and dance-like pulse awareness
  • High register security and endurance on cornet

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