The Love Of God Sheet Music Preview

The Love Of God: SATB Choral Octavo

As performed by Robert Lowry / As performed by Frederick M. Lehman / As performed by William Rees / Arranged by Joseph M. Martin

Item: 35-DS00289589

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00289589

More about this title

About the Artist: Robert Lowry

Robert Lowry (1826-1899) was an American Baptist minister and prolific hymn writer whose compositions shaped congregational singing in the nineteenth century. Beyond his role as a pastor, he demonstrated remarkable skill in crafting melodies that merged theological depth with singability, producing works that endure in hymnals and choral settings today.

Why we love this

Joseph M. Martin's arrangement honors Lowry's enduring melody while creating a four-part texture that sits comfortably for mixed ensembles of varying ability levels. The piece captures the contemplative warmth of this beloved hymn without demanding extensive rehearsal time, making it accessible yet musically substantial enough to reward careful interpretation.

What to expect

The piece radiates quiet confidence and spiritual reflection. Lowry's melody unfolds with natural phrasing and directness, while Martin's harmonization provides warmth and harmonic support that feels both supportive and slightly sophisticated. The two-page format keeps the listener's attention focused on the music's emotional sincerity rather than complexity.

Who it's for

This arrangement works well for church choirs, community ensembles, and sacred choral programs seeking repertoire that blends tradition with accessibility. Both experienced singers and developing vocalists benefit from the straightforward voice writing that still rewards musical attention.

How to get the most out of it

  • Balance the melody across your section leaders, especially in passages where the tune moves between soprano and alto; this prevents any single voice from dominating the harmonic texture.
  • Shape the phrases with gentle dynamic swells rather than abrupt changes; the text's introspective nature calls for intimate expression from your singers.
  • Allow space for breath between phrases without losing the forward momentum that keeps the hymn feeling alive and engaged.

How to use it

Nestle this into a service of lessons and carols, a sacred concert, or a program exploring hymn arrangements across different periods. Its moderate length and contemplative character make it ideal for bridging between more elaborate works or for creating a moment of stillness within a longer choral program.

Skills your students will build

  • Singing sustained tones with consistent tone quality
  • Balancing inner harmony parts with a moving melody
  • Interpreting sacred text with appropriate emotional depth
  • Navigating simple four-part voice leading across a single page layout

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